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Camillo de Marco

3682 articles available in total starting from 16/05/2002. Last article published on 21/08/2025.

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Review: The Last Days of Humanity

Review: The Last Days of Humanity

VENICE 2022: The documentary by enrico ghezzi and Alessandro Gagliardo is a torrential and magmatic montage film that testifies to the uniqueness of the language of the moving image  

13/09/2022 | Venice 2022 | Out of Competition

Venice crowns Laura Poitras, Alice Diop, Luca Guadagnino and Jafar Panahi its victors

Venice crowns Laura Poitras, Alice Diop, Luca Guadagnino and Jafar Panahi its victors

VENICE 2022: The Golden Lion goes to US movie All the Beauty and the Bloodshed, the Grand Jury Prize to Saint Omer, Best Direction to Bones and All and the Special Prize to No Bears  

10/09/2022 | Venice 2022 | Awards

Review: Dry

Review: Dry

VENICE 2022: Paolo Virzì’s movie is a dystopia suggested to him by the recent Covid-19 pandemic, using sarcasm to depict a hopelessly ailing society  

10/09/2022 | Venice 2022 | Out of Competition

Pippo Mezzapesa • Director of Burning Hearts

Interview: Pippo Mezzapesa • Director of Burning Hearts

“I used black and white in order to make this passion- and vendetta-themed story universal”

VENICE 2022: We chatted with the Italian director about his choice of black and white for the film, and singer Elodie’s acting debut  

08/09/2022 | Venice 2022 | Orizzonti

Gianni Amelio • Director of Lord of the Ants

Interview: Gianni Amelio • Director of Lord of the Ants

“There are echoes of the present-day in my film about a homosexual poet’s trial in 1968”

VENICE 2022: In the Italian director’s eyes, the trial of Aldo Braibanti fifty years ago a is an opportunity to denounce homophobia past and present  

08/09/2022 | Venice 2022 | Competition

Emanuele Crialese • Director of L’immensità

Interview: Emanuele Crialese • Director of L’immensità

“I told the story that was in my heart”

VENICE 2022: We chatted with the Italian director about his film based on his own adolescence, before transitioning  

07/09/2022 | Venice 2022 | Competition

Review: Lord of the Ants

Review: Lord of the Ants

VENICE 2022: An overly classical directorial style weakens Gianni Amelio’s biopic about a scandalous “duress” lawsuit in Italy in 1968  

07/09/2022 | Venice 2022 | Competition

Review: In viaggio

Review: In viaggio

VENICE 2022: Gianfranco Rosi assembles unseen archive material documenting the travels of Pope Francis in 53 countries, where Bergoglio addressed the burning issues of war and human rights  

05/09/2022 | Venice 2022 | Out of Competition

Niccolò Falsetti • Director of Margins

Interview: Niccolò Falsetti • Director of Margins

“You need to draw upon the humanity around you in order to make a film like mine”

VENICE 2022: The director chatted to us about the universal nature of the punk rock scene, provincial cities and how to shoot a concert scene  

05/09/2022 | Venice 2022 | International Film Critics’ Week

Review: L’immensità

Review: L’immensità

VENICE 2022: Emanuele Crialese recounts her gender-fluid adolescence in a sophisticated and colourful film, set apart by the starry presence of Penélope Cruz  

05/09/2022 | Venice 2022 | Competition

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