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David Katz

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528 articles available in total starting from 11/07/2018. Last article published on 18/09/2026.

Review: Love Life

Review: Love Life

VENICE 2022: Rising Japanese maestro Kôji Fukada steps up to his first major festival competition slot with this neatly structured tale of intersecting marriages  

07/09/2022 | Venice 2022 | Competition

Tahmina Rafaella • Director of Banu

Interview: Tahmina Rafaella • Director of Banu

“A complete storyline is something that we underestimate”

VENICE 2022: We chatted to the promising Azerbaijani director, whose debut feature follows a mother struggling to gain custody of her son in a patriarchal and sexist country  

06/09/2022 | Venice 2022 | Biennale College Cinema

Review: When the Waves Are Gone

Review: When the Waves Are Gone

VENICE 2022: Filipino great Lav Diaz makes another gruelling revenge tragedy, this time focusing on two dirty cops with a grudge  

06/09/2022 | Venice 2022 | Out of Competition

Review: Autobiography

Review: Autobiography

VENICE 2022: Echoes of Indonesia’s 31-year dictatorship abound in the present, in debutant Makbul Mubarak’s sombre political drama  

04/09/2022 | Venice 2022 | Orizzonti

The BFI London Film Festival reveals its full line-up

The BFI London Film Festival reveals its full line-up

The primo UK film gathering has unveiled a starry array of gala screenings, with its full programme comprising 164 features and 23 world premieres  

02/09/2022 | London 2022

Review: The Origin of Evil

Review: The Origin of Evil

VENICE 2022: In Sébastien Marnier’s rococo suspense piece, Laure Calamy seeks to join a family of French Trumps  

01/09/2022 | Venice 2022 | Orizzonti Extra

Marysia Nikitiuk  • Director of Cherry Blossoms

Interview: Marysia Nikitiuk • Director of Cherry Blossoms

“CineLink, the Sarajevo Film Festival and the Eurimages Award have given me the hope and strength to continue making films”

We spoke to the winner of the Eurimages Special Co-production Development Award about her film, which follows the meeting of survivors from the Ukraine-Russia War and the Bosnian War  

29/08/2022 | Sarajevo 2022 | CineLink Industry Days

Thanasis Neofotistos • Director of The Boy With the Light-blue Eyes

Interview: Thanasis Neofotistos • Director of The Boy With the Light-blue Eyes

“I found the jury’s description of the film as a ‘modern fable’ very insightful and descriptive of what we aspire to create”

We spoke to the winner of this year’s Eurimages Co-production Development Award at Sarajevo’s CineLink Industry Days about his fascinating-sounding new project  

29/08/2022 | Sarajevo 2022 | CineLink Industry Days

Sarajevo’s CineLink takes the temperature on Ukrainian film production amidst the war

Sarajevo’s CineLink takes the temperature on Ukrainian film production amidst the war

Four leading Ukrainian industry figures – including acclaimed directors Maryna Er Gorbach and Maksym Nakonechnyi – discussed their inspiring and ongoing work as the war continues to rage  

23/08/2022 | Sarajevo 2022 | CineLink Industry Days

At Sarajevo, diversity and inclusion are discussed from the film funder’s perspective

At Sarajevo, diversity and inclusion are discussed from the film funder’s perspective

Five executives and policymakers assessed the progress made on this issue, following numerous initiatives and pledges over the past half-decade  

23/08/2022 | Sarajevo 2022 | CineLink Industry Days

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