email print share on Facebook share on Twitter share on LinkedIn share on reddit pin on Pinterest

Marta Bałaga

1100 articles available in total starting from 07/04/2017. Last article published on 19/06/2025.

page:   1  2  3 ... 34  35  [36]  37  38 ... 108  109  110 
Maggie Peren • Director of The Forger

Interview: Maggie Peren • Director of The Forger

“I think that’s how people behaved in order to survive: they smiled”

BERLINALE 2022: Basing her film on a true story, the German helmer tries to capture the everyday reality of World War II – and the lust for life  

13/02/2022 | Berlinale 2022 | Berlinale Special

Sanna Lenken • Director of Comedy Queen

Interview: Sanna Lenken • Director of Comedy Queen

“So many children don’t know how to talk about grief”

BERLINALE 2022: The Swedish director follows up her Crystal Bear-winning My Skinny Sister with a drama proving that, in the end, only laughter can heal pain  

13/02/2022 | Berlinale 2022 | Generation

Peter Strickland • Director of Flux Gourmet

Interview: Peter Strickland • Director of Flux Gourmet

“Your greatest fear as a director is being laughed at, but you can’t move forward if you don’t take that risk”

BERLINALE 2022: Get ready – indigestion meets power games meets Spinal Tap in the British director’s new outing  

13/02/2022 | Berlinale 2022 | Encounters

Review: Flux Gourmet

Review: Flux Gourmet

BERLINALE 2022: Peter Strickland’s new film may feature frequent mentions of intestinal gasses and flatulence. Those seeking personal medical advice should consult with a licensed physician  

13/02/2022 | Berlinale 2022 | Encounters

Quentin Dupieux • Director of Incredible but True

Interview: Quentin Dupieux • Director of Incredible but True

“If you explain too much, suddenly it turns into a terrible movie”

BERLINALE 2022: In his new film, the French director has a secret, and he is going to keep it  

13/02/2022 | Berlinale 2022 | Berlinale Special

Review: Incredible but True

Review: Incredible but True

BERLINALE 2022: With his latest film, Quentin Dupieux will be able to turn anyone into a “basement person”  

12/02/2022 | Berlinale 2022 | Berlinale Special

Review: Oink

Review: Oink

BERLINALE 2022: Mascha Halberstad’s lovely stop-motion animation, which has just opened Generation Kplus, is not another Sausage Party  

11/02/2022 | Berlinale 2022 | Generation

Review: Peter von Kant

Review: Peter von Kant

BERLINALE 2022: In his occasionally amusing, occasionally absurd tribute to Fassbinder, François Ozon wants to have his champagne and drink it  

11/02/2022 | Berlinale 2022 | Competition

Mascha Halberstad • Director of Oink

Interview: Mascha Halberstad • Director of Oink

“It always upsets me when people underestimate children”

BERLINALE 2022: There is more to life than the title of “Sausage King” in this delightful stop-motion animation opening this year’s Generation Kplus  

10/02/2022 | Berlinale 2022 | Generation

Susanna Helke • Director of Ruthless Times – Songs of Care

Interview: Susanna Helke • Director of Ruthless Times – Songs of Care

"I liked the idea that this 'faceless mass' we keep referring to is now standing in front of the camera, singing"

The Finnish director encourages her protagonists to talk about their problems, and sometimes even sing them out  

08/02/2022 | DocPoint 2022

page:   1  2  3 ... 34  35  [36]  37  38 ... 108  109  110 

Privacy Policy

Creative Europe MEDIA