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Marta Bałaga

1112 articles available in total starting from 07/04/2017. Last article published on 08/09/2025.

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Review: A E I O U – A Quick Alphabet of Love

Review: A E I O U – A Quick Alphabet of Love

BERLINALE 2022: Finally, thanks to Nicolette Krebitz, we have a romantic comedy featuring a healthy dose of mugging and characters with a “life impediment”  

14/02/2022 | Berlinale 2022 | Competition

Review: Dark Glasses

Review: Dark Glasses

BERLINALE 2022: Dario Argento is back with a film that’s so bad it’s not even good  

14/02/2022 | Berlinale 2022 | Berlinale Special

Maggie Peren • Director of The Forger

Interview: Maggie Peren • Director of The Forger

“I think that’s how people behaved in order to survive: they smiled”

BERLINALE 2022: Basing her film on a true story, the German helmer tries to capture the everyday reality of World War II – and the lust for life  

13/02/2022 | Berlinale 2022 | Berlinale Special

Sanna Lenken • Director of Comedy Queen

Interview: Sanna Lenken • Director of Comedy Queen

“So many children don’t know how to talk about grief”

BERLINALE 2022: The Swedish director follows up her Crystal Bear-winning My Skinny Sister with a drama proving that, in the end, only laughter can heal pain  

13/02/2022 | Berlinale 2022 | Generation

Peter Strickland • Director of Flux Gourmet

Interview: Peter Strickland • Director of Flux Gourmet

“Your greatest fear as a director is being laughed at, but you can’t move forward if you don’t take that risk”

BERLINALE 2022: Get ready – indigestion meets power games meets Spinal Tap in the British director’s new outing  

13/02/2022 | Berlinale 2022 | Encounters

Review: Flux Gourmet

Review: Flux Gourmet

BERLINALE 2022: Peter Strickland’s new film may feature frequent mentions of intestinal gasses and flatulence. Those seeking personal medical advice should consult with a licensed physician  

13/02/2022 | Berlinale 2022 | Encounters

Quentin Dupieux • Director of Incredible but True

Interview: Quentin Dupieux • Director of Incredible but True

“If you explain too much, suddenly it turns into a terrible movie”

BERLINALE 2022: In his new film, the French director has a secret, and he is going to keep it  

13/02/2022 | Berlinale 2022 | Berlinale Special

Review: Incredible but True

Review: Incredible but True

BERLINALE 2022: With his latest film, Quentin Dupieux will be able to turn anyone into a “basement person”  

12/02/2022 | Berlinale 2022 | Berlinale Special

Review: Oink

Review: Oink

BERLINALE 2022: Mascha Halberstad’s lovely stop-motion animation, which has just opened Generation Kplus, is not another Sausage Party  

11/02/2022 | Berlinale 2022 | Generation

Review: Peter von Kant

Review: Peter von Kant

BERLINALE 2022: In his occasionally amusing, occasionally absurd tribute to Fassbinder, François Ozon wants to have his champagne and drink it  

11/02/2022 | Berlinale 2022 | Competition

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