email print share on Facebook share on Twitter share on LinkedIn share on reddit pin on Pinterest

Marta Balaga

(The article continues below - Commercial information)

1117 articles available in total starting from 07/04/2017. Last article published on 04/12/2025.

page:   1  2  3 ... 35  36  [37]  38  39 ... 110  111  112 
Carla Simón • Director of Alcarràs

Interview: Carla Simón • Director of Alcarràs

“In this film, it’s the men who cry”

BERLINALE 2022: The kids are alright in the film by the Spanish filmmaker, but the adults are a whole other story  

16/02/2022 | Berlinale 2022 | Competition

Isaki Lacuesta • Director of One Year, One Night

Interview: Isaki Lacuesta • Director of One Year, One Night

“This film is not looking for motivations”

BERLINALE 2022: In the Spanish director’s film, a couple tries to deal with the aftermath of the terrorist attack at the Bataclan theatre together, but not in the same way  

16/02/2022 | Berlinale 2022 | Competition

Review: Alcarràs

Review: Alcarràs

BERLINALE 2022: Carla Simón delivers the smallest film that’s worthy of the biggest awards  

16/02/2022 | Berlinale 2022 | Competition

Peter Flinth • Director of Against the Ice

Interview: Peter Flinth • Director of Against the Ice

“I was interested in figuring out what drives an explorer. What makes you want to continue?”

BERLINALE 2022: In his Netflix title, the Danish director proves you can get claustrophobic even in north-east Greenland  

15/02/2022 | Berlinale 2022 | Berlinale Special

Nicolette Krebitz • Director of A E I O U – A Quick Alphabet of Love

Interview: Nicolette Krebitz • Director of A E I O U – A Quick Alphabet of Love

“It’s a movie about love, and I have nothing but love for everyone here”

BERLINALE 2022: The German director follows Wild with another unusual romance, although this time, wolves are nowhere to be seen  

15/02/2022 | Berlinale 2022 | Competition

Review: A E I O U – A Quick Alphabet of Love

Review: A E I O U – A Quick Alphabet of Love

BERLINALE 2022: Finally, thanks to Nicolette Krebitz, we have a romantic comedy featuring a healthy dose of mugging and characters with a “life impediment”  

14/02/2022 | Berlinale 2022 | Competition

Review: Dark Glasses

Review: Dark Glasses

BERLINALE 2022: Dario Argento is back with a film that’s so bad it’s not even good  

14/02/2022 | Berlinale 2022 | Berlinale Special

Maggie Peren • Director of The Forger

Interview: Maggie Peren • Director of The Forger

“I think that’s how people behaved in order to survive: they smiled”

BERLINALE 2022: Basing her film on a true story, the German helmer tries to capture the everyday reality of World War II – and the lust for life  

13/02/2022 | Berlinale 2022 | Berlinale Special

Sanna Lenken • Director of Comedy Queen

Interview: Sanna Lenken • Director of Comedy Queen

“So many children don’t know how to talk about grief”

BERLINALE 2022: The Swedish director follows up her Crystal Bear-winning My Skinny Sister with a drama proving that, in the end, only laughter can heal pain  

13/02/2022 | Berlinale 2022 | Generation

Peter Strickland • Director of Flux Gourmet

Interview: Peter Strickland • Director of Flux Gourmet

“Your greatest fear as a director is being laughed at, but you can’t move forward if you don’t take that risk”

BERLINALE 2022: Get ready – indigestion meets power games meets Spinal Tap in the British director’s new outing  

13/02/2022 | Berlinale 2022 | Encounters

page:   1  2  3 ... 35  36  [37]  38  39 ... 110  111  112 
(The article continues below - Commercial information)

Privacy Policy

Creative Europe MEDIA