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Ana Stanić

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cinemamed2025

301 articles available in total starting from 29/02/2020. Last article published on 26/11/2025.

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Marion Guillard • Director of We Had Fun Yesterday

Interview: Marion Guillard • Director of We Had Fun Yesterday

"While I wanted to talk about shaping fake wildlife images, I realised that I’ve been shaping myself according to the patriarchal gaze from the outside"

CANNES 2025: The Belgian filmmaker discusses her autobiographical work, winner of the Doc Alliance Award for Best Short Film  

26/05 | Cannes 2025 | Marché du Film

Masha Chernaya • Director of The Shards

Interview: Masha Chernaya • Director of The Shards

"I wanted this film to work on the level of general human emotions, without explaining facts"

CANNES 2025: The director discusses her film, a fragmentary portrait of life in Moscow during the spring of 2022, winner of the Doc Alliance Award for Best Feature Film  

26/05 | Cannes 2025 | Marché du Film

Zuzana Kirchnerová • Director of Caravan

Interview: Zuzana Kirchnerová • Director of Caravan

"I wanted to show a mother who is also a sexual being — someone who protests, who desires, and who loves freedom"

CANNES 2025: The Czech director Zuzana Kirchnerová discusses her first feature, the return of Czech cinema to the festival's official selection after more than 30 years  

26/05 | Cannes 2025 | Un Certain Regard

Tarzan Nasser • Director of Once Upon a Time in Gaza

Interview: Tarzan Nasser • Director of Once Upon a Time in Gaza

"Is the hero the one who gets the credit — or the one who endures and adapts to inhuman conditions?"

CANNES 2025: The Palestinian filmmaker, director of the film alongside with brother Arab, discusses their story of survival, politics and filmmaking set in the Gaza that existed a few years ago  

24/05 | Cannes 2025 | Un Certain Regard

Prïncia Car • Director of The Girls We Want

Interview: Prïncia Car • Director of The Girls We Want

"When women are together, a kind of sisterhood emerges — one that offers more freedom than masculinity’s frameworks"

CANNES 2025: The French filmmaker discusses her first feature, as well as directing an ensemble made of non-professional actors and the connection between gender and resilience  

24/05 | Cannes 2025 | Directors' Fortnight

Ben Vandendaele • Founder, FilmConnector

Interview: Ben Vandendaele • Founder, FilmConnector

"FilmConnector is a platform that will allow you to never use Google Sheets again for your festival submission strategy"

CANNES 2025: The expert has unveiled a bold new initiative born from the everyday frustrations of festival submissions and fragmented workflows  

23/05 | Cannes 2025 | Marché du Film

Josef Kullengård • Head of Industry, Göteborg Film Festival

Interview: Josef Kullengård • Head of Industry, Göteborg Film Festival

"The industry needs to go from not recognising what is going on around us to resisting the reality that has already started to happen"

CANNES 2025: The expert shares his thoughts on this year’s Marché du Film and on the 12th edition of the Nostradamus Report, a document that takes the temperature of the times  

23/05 | Cannes 2025 | Marché du Film

Fred Burle, Géraldine Sprimont, Lionel Massol • Producers

Interview: Fred Burle, Géraldine Sprimont, Lionel Massol • Producers

“Dancing between creativity and finances is exactly what makes producers’ work so thrilling and interesting”

CANNES 2025: The producers from Germany, Belgium and France discuss their projects and their attendance at the festival through the EFP initiative Producers on the Move  

23/05 | Producers on the Move 2025

Akinola Davies Jr • Director of My Father's Shadow

Interview: Akinola Davies Jr • Director of My Father's Shadow

"We wanted to make something that services us, our community and masculinity in general"

CANNES 2025: The British-Nigerian filmmaker discusses his first feature, a film that is set over the course of one day, in which he plays with the concept of time  

22/05 | Cannes 2025 | Un Certain Regard

Sten-Kristian Saluveer • Head, Cannes Next

Interview: Sten-Kristian Saluveer • Head, Cannes Next

"The point for us in Cannes is not to talk about innovation, but to make it something you can feel and touch"

CANNES 2025: The expert discusses the platform, which has become a seismograph for the cultural shifts triggered by artificial intelligence, immersive media, and digital tools  

20/05 | Cannes 2025 | Marché du Film

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