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Vittoria Scarpa

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1973 articles available in total starting from 01/03/2007. Last article published on 20/11/2025.

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Gianluca Matarrese • Director of I Want Her Dead

Interview: Gianluca Matarrese • Director of I Want Her Dead

"This film is like a cinematic reality show"

VENICE 2025: The director reconnects with his Calabrian roots with his mix of reality, fiction and theatre, which tells of the feud within a family: his own, to be precise  

09/09 | Venice 2025 | Giornate degli Autori

Claire Simon • Director of Writing Life: Annie Ernaux Through the Eyes of High School Students

Interview: Claire Simon • Director of Writing Life: Annie Ernaux Through the Eyes of High School Students

"The advantage of this idea was being able to portray the youth of today and hear Annie Ernaux's text"

VENICE 2025: The French director tells us about her new documentary, in which she explores the impact of the work penned by the author, about a group of secondary-school students  

09/09 | Venice 2025 | Giornate degli Autori

Review: Do You Love Me

Review: Do You Love Me

VENICE 2025: Using only archival material, Lebanese director Lana Daher composes a vivid and multiform portrait of her beloved village martyred by too many wars  

08/09 | Venice 2025 | Giornate degli Autori

Jim Jarmusch wins Venice's Golden Lion for Father Mother Sister Brother

Jim Jarmusch wins Venice's Golden Lion for Father Mother Sister Brother

VENICE 2025: The Voice of Hind Rajab has scooped the Grand Jury Prize, Below the Clouds the Special Jury Prize and Toni Servillo the Volpi Cup  

06/09 | Venice 2025 | Awards

Mayra Hermosillo • Director of Vainilla

Interview: Mayra Hermosillo • Director of Vainilla

"I've always secretly judged my family, so I told myself I had to go back and realize what it really was"

VENICE 2025: The Mexican director talks about her film centring on an eccentric family consisting only of women, who fight to save their home from foreclosure  

06/09 | Venice 2025 | Giornate degli Autori

Giornate degli Autori's GdA Director's Award goes to Inside Amir by Iran's Amir Azizi

Giornate degli Autori's GdA Director's Award goes to Inside Amir by Iran's Amir Azizi

VENICE 2025: Bearcave has scooped the Europa Cinemas Label while Memory and A Sad and Beautiful World won the People’s Choice Award jointly  

05/09 | Venice 2025 | Giornate degli Autori/Awards

Review: Who Is Still Alive

Review: Who Is Still Alive

VENICE 2025: Nicolas Wadimoff brings nine Palestinian refugees together to listen to stories about their previous lives in Gaza, lending a face to the despair of a people who are losing everything  

04/09 | Venice 2025 | Giornate degli Autori

Stergios Dinopoulos, Krysianna B Papadakis • Directors of Bearcave

Interview: Stergios Dinopoulos, Krysianna B Papadakis • Directors of Bearcave

"The two protagonists represent the dualism of the people who live in those areas"

VENICE 2025: The pair of directors talk about their feature debut, which broaches topics such as friendship, bravery and the desire to escape  

04/09 | Venice 2025 | Giornate degli Autori

Damien Hauser • Director of Memory of Princess Mumbi

Interview: Damien Hauser • Director of Memory of Princess Mumbi

"Compared to when I used it in the movie, the AI ​​has improved a lot and it's even a little scary"

VENICE 2025: The Swiss-Kenyan filmmaker whisks us off to the year 2093, on the trail of a director who has to make a documentary about a devastating war, if possible without using AI  

04/09 | Venice 2025 | Giornate degli Autori

Cyril Aris • Director of A Sad and Beautiful World

Interview: Cyril Aris • Director of A Sad and Beautiful World

"I try to tell the story of Lebanon today and its ups and downs through the story of a couple with two different worldviews"

VENICE 2025: The Lebanese director talks to us about his debut fiction feature, a love story set against the backdrop of a deeply scarred country, Lebanon  

04/09 | Venice 2025 | Giornate degli Autori

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