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David Katz

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528 articles available in total starting from 11/07/2018. Last article published on 18/09/2026.

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Arnaud Desplechin • Director of Deception

Interview: Arnaud Desplechin • Director of Deception

“She’s defending the cause of women, all women, whilst he’s defending the cause of ‘each’ woman”

CANNES 2021: The French director finally adapts one of his greatest influences, American author Philip Roth, and we talk about all that, and more  

17/07/2021 | Cannes 2021 | Cannes Premiere

Review: Vortex

Review: Vortex

CANNES 2021: What a beautiful surprise: a minimalist, quietist, three-character drama about death and mourning, from Gaspar Noé, of all people  

17/07/2021 | Cannes 2021 | Cannes Premiere

Review: Let It Be Morning

Review: Let It Be Morning

CANNES 2021: Israeli director Eran Kolirin returns with a fitfully amusing comedy-drama about the fortunes of a small Arab-majority village in Israel  

17/07/2021 | Cannes 2021 | Un Certain Regard

Review: Prayers for the Stolen

Review: Prayers for the Stolen

CANNES 2021: Tatiana Huezo makes a confident leap into fiction, in this often bleak coming-of-age drama film about a rural community threatened by drug cartels  

16/07/2021 | Cannes 2021 | Un Certain Regard

Review: Deception

Review: Deception

CANNES 2021: French master Arnaud Desplechin creates that rare thing: a good film based on a Philip Roth novel  

15/07/2021 | Cannes 2021 | Cannes Premiere

Maureen Fazendeiro and Miguel Gomes • Directors of The Tsugua Diaries

Interview: Maureen Fazendeiro and Miguel Gomes • Directors of The Tsugua Diaries

“The film was influenced by this feeling of having an alteration in the perception of time”

CANNES 2021: The Portuguese filmmaking team discuss love and partnerships, the lack of joy in contemporary cinema, and the dilemmas of the COVID-19 era  

15/07/2021 | Cannes 2021 | Directors’ Fortnight

Review: The Tsugua Diaries

Review: The Tsugua Diaries

CANNES 2021: Portugal’s Miguel Gomes and Maureen Fazendeiro create a jam session on approaches to pandemic-era filmmaking, in their funny debut as co-directors  

15/07/2021 | Cannes 2021 | Directors’ Fortnight

Review: Amparo

Review: Amparo

CANNES 2021: A working-class family deals with the brunt of military conscription in Colombia, in this nervy debut from Simón Mesa Soto  

13/07/2021 | Cannes 2021 | Critics’ Week

Nadav Lapid • Director of Ahed’s Knee

Interview: Nadav Lapid • Director of Ahed’s Knee

“I’m not script-driven in the traditional way; the lead character is the existential melody of the film, the heart, the music”

CANNES 2021: The Israeli director discusses his formally bold new film, how a typical “Lapid” protagonist is born and the influence of rap music on his approach to performance  

13/07/2021 | Cannes 2021 | Competition

Review: Great Freedom

Review: Great Freedom

CANNES 2021: Franz Rogowski excels as a man incarcerated for his homosexuality in post-war Germany, in this impressive drama by Austrian director Sebastian Meise  

09/07/2021 | Cannes 2021 | Un Certain Regard

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