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Marta Balaga

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1113 articles available in total starting from 07/04/2017. Last article published on 29/09/2025.

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Review: The French Dispatch

Review: The French Dispatch

CANNES 2021: Wes Anderson delivers the final issue of a magazine that’s full of life, but some pages it’s just better to skip  

13/07/2021 | Cannes 2021 | Competition

Review: Three Floors

Review: Three Floors

CANNES 2021: Nanni Moretti delivers a jaw-droppingly bad soap opera with the who’s who of Italian cinema  

12/07/2021 | Cannes 2021 | Competition

Review: Compartment No. 6

Review: Compartment No. 6

CANNES 2021: Finnish director Juho Kuosmanen invites us on a “Voyage, voyage” all the way to Murmansk in his competition entry  

10/07/2021 | Cannes 2021 | Competition

Review: Murina

Review: Murina

CANNES 2021: In her feature debut, Antoneta Alamat Kusijanović takes her characters out for a swim  

10/07/2021 | Cannes 2021 | Directors’ Fortnight

Review: The Souvenir: Part II

Review: The Souvenir: Part II

CANNES 2021: In the second part of Joanna Hogg’s semi-autobiographical tale, Honor Swinton Byrne’s Julie comes of age and dons a pair of fabulous silver trousers  

10/07/2021 | Cannes 2021 | Directors’ Fortnight

Review: Cow

Review: Cow

CANNES 2021: Andrea Arnold delivers a master class in how to look an animal in the eyes  

09/07/2021 | Cannes 2021 | Cannes Premiere

Review: The Worst Person in the World

Review: The Worst Person in the World

CANNES 2021: Joachim Trier delivers a perfectly watchable love story, or stories, but his female protagonist seems lifted from a fantasy land  

09/07/2021 | Cannes 2021 | Competition

Antoneta Alamat Kusijanović • Director of Murina

Interview: Antoneta Alamat Kusijanović • Director of Murina

“The water is a place where my character is free, but it’s also where she can spill some blood”

CANNES 2021: It’s a cruel summer lying in wait for teenager Julija in this Directors’ Fortnight title by the Dubrovnik-born filmmaker  

07/07/2021 | Cannes 2021 | Directors’ Fortnight

Review: Annette

Review: Annette

CANNES 2021: Part-prestige production, part-cult curio, Leos Carax’s weird creation is a Cannes opener to remember  

07/07/2021 | Cannes 2021 | Competition

Mina Mileva, Vesela Kazakova • Directors of Women Do Cry

Interview: Mina Mileva, Vesela Kazakova • Directors of Women Do Cry

“This is not a normal film”

CANNES 2021: The women in this Un Certain Regard entry have a lot on their minds and have to learn to stop sweeping things under the carpet  

06/07/2021 | Cannes 2021 | Un Certain Regard

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