Marta Bałaga 1097 articles available in total starting from 07/04/2017. Last article published on 26/05/2025. previous page: 1 2 3 4 [5] 6 7 8 ... 108 109 110 next Interview: Michel Gondry • Director of Maya, Give Me a Title“I have a brain that’s childish”BERLINALE 2025: The French director introduces a new kind of bedtime story in his animated stop-motion delight 19/02 | Berlinale 2025 | GenerationInterview: Alissa Jung • Director of Paternal Leave“There can be so much love between parents and children, so much support and so much hurt”BERLINALE 2025: We talked to the German filmmaker about her determined child protagonist, her perspective on family and her casting process 17/02 | Berlinale 2025 | GenerationReview: Maya, Give Me a TitleBERLINALE 2025: Michel Gondry plays with his daughter Maya, and the whole world is invited 17/02 | Berlinale 2025 | GenerationInterview: Čejen Černić Čanak • Director of Sandbag Dam“We think that tolerance and acceptance are a given; that’s not true”BERLINALE 2025: A small village is threatened by a looming flood – and by love – in the Croatian director’s film 16/02 | Berlinale 2025 | GenerationReview: ChristyBERLINALE 2025: Brendan Canty proves that it takes a village to raise a child and a whole community to fix a directionless young adult 15/02 | Berlinale 2025 | GenerationInterview: Robin Petré • Director of Only on Earth“I couldn’t have predicted the urgency of this film”BERLINALE 2025: With her new documentary feature, the Danish-Swedish director proves that beauty and destruction go hand in hand 15/02 | Berlinale 2025 | GenerationInterview: Brendan Canty • Director of Christy“It’s a film about a community”BERLINALE 2025: The Irish director unpicks his tender drama film about a teenage boy who has to exchange a suburban foster home for a much less comfortable residence 15/02 | Berlinale 2025 | GenerationInterview: Vasilis Kekatos • Director of Our Wildest Days“It’s a sad world, but that doesn’t mean it can’t be beautiful”BERLINALE 2025: The Greek director breaks down his film, which he describes as both happy and sad, and which says a lot about his devasted home country 13/02 | Berlinale 2025 | GenerationInterview: Wilhelm Sasnal • Director of The Assistant“Robert Walser wrote about the uncertainty of tomorrow, about dependence on the employer – it’s very modern”One of Poland’s most successful artists has put a modern spin on a 1908 novel in a new film that he co-directed with Anka Sasnal 10/02 | IFFR 2025 | Big Screen CompetitionInterview: Albert Oehlen • Director of Bad Painter“I can make fun of myself”The German painter talks us through his film, in which he takes a jab at the art world – and himself 10/02 | IFFR 2025 | Big Screen Competition previous page: 1 2 3 4 [5] 6 7 8 ... 108 109 110 next