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Fabien Lemercier

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9940 articles available in total starting from 02/07/2002. Last article published on 19/03/2026.

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Carine Tardieu • Director of The Ties That Bind Us

Interview: Carine Tardieu • Director of The Ties That Bind Us

"Once we’ve gone beyond certain levels of attachment, there’s no going back"

VENICE 2024: Carine Tardieu explains the intricate story in her film about family ties which go beyond blood and the effect of the passing of time  

04/09/2024 | Venice 2024 | Orizzonti

Review: The Ties That Bind Us

Review: The Ties That Bind Us

VENICE 2024: Carine Tardieu crafts a delicate, humanist film about the unpredictable emotional ties we randomly forge through dramas, loving encounters and the merry-go-round of life  

03/09/2024 | Venice 2024 | Orizzonti

Review: The Book of Joy

Review: The Book of Joy

VENICE 2024: Camille Lugan’s feature debut is a risky and surprising atmospheric film that talks about God, dealing, grace and love  

02/09/2024 | Venice 2024 | Giornate degli Autori

Frédéric Farrucci • Director of The Mohican

Interview: Frédéric Farrucci • Director of The Mohican

“I’ve always seen Corsica as a land of the Western”

VENICE 2024: The French filmmaker talks about the genre as a Trojan horse for a story told at a cracking pace and looking at the times, society, an island and the human at large  

02/09/2024 | Venice 2024 | Orizzonti Extra

Holy Cow awarded at Angoulême

Holy Cow awarded at Angoulême

The first feature by Louise Courvoisier has taken home the Diamond Valois Award for Best Film, À bicyclette by Mathias Mlekuz received three prizes, including the Audience Award  

02/09/2024 | Angoulême 2024 | Awards

Review: The Mohican

Review: The Mohican

VENICE 2024: Frédéric Farrucci delivers a thrilling modern western following a Corsican shepherd hunted down by mafiosi and brilliantly played by Alexis Manenti  

01/09/2024 | Venice 2024 | Orizzonti Extra

Anne-Sophie Bailly • Director of My Everything

Interview: Anne-Sophie Bailly • Director of My Everything

“In drama, humour is a kind of politeness towards the viewer”

VENICE 2024: The French filmmaker evokes the mechanisms and influences of her parent-child duo film revolving around the question of disability and emancipation  

01/09/2024 | Venice 2024 | Orizzonti

Review: My Everything

Review: My Everything

Anne-Sophie Bailly delivers a moving and cleverly controlled melodrama about the bond between a unique son and a mother who is also very much a woman  

31/08/2024 | Venice 2024 | Orizzonti

Review: And Their Children After Them

Review: And Their Children After Them

VENICE 2024: Blending social realism and adolescent mythology, romanticism and tragedy, Ludovic and Zoran Boukherma deliver an exciting and spirited adaptation of Nicolas Mathieu’s novel  

31/08/2024 | Venice 2024 | Competition

Review: Three Friends

Review: Three Friends

VENICE 2024: Emmanuel Mouret spins a sophisticated and brilliantly directed web of feelings and flirtations in pure paradoxical Rohmer-esque style  

30/08/2024 | Venice 2024 | Competition

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