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Olivia Popp

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419 articles available in total starting from 17/10/2023. Last article published on 21/09/2026.

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Review: Under a Bad Star

Review: Under a Bad Star

CANNES 2026: Personal and professional partners Lola Cambourieu and Yann Berlier mould a transfixing 24-hour story around the oft-inescapable vortex of domestic violence  

21/05 | Cannes 2026 | ACID

Review: The Diary of a Chambermaid

Review: The Diary of a Chambermaid

CANNES 2026: Radu Jude goes back to beautiful basics in this lightly metatheatrical piece about a Romanian mother working in the home of a bourgeois Bordeaux family  

20/05 | Cannes 2026 | Directors’ Fortnight

Civil servants and European film-industry professionals unpack the future of the EU’s support for audiovisual

Civil servants and European film-industry professionals unpack the future of the EU’s support for audiovisual

CANNES 2026: A panel has explored what is to be expected from AgoraEU as the successor to Creative Europe – MEDIA, and what industry professionals hope to see from it  

20/05 | Cannes 2026 | Marché du Film

Blerta Basholli • Director of Dua

Interview: Blerta Basholli • Director of Dua

“Even if it’s during a conflict, you want to have these little moments where you feel normal”

CANNES 2026: The Kosovar-based director talks about not holding back from putting the personal on screen and finding a close-up subjectivity in her sophomore feature  

19/05 | Cannes 2026 | Critics’ Week

Avril Besson • Director of Marvelous Mornings

Interview: Avril Besson • Director of Marvelous Mornings

“Sexuality and gender are not at all the same subject, and can have different consequences on the way you approach intimacy”

CANNES 2026: The French director speaks about the collaboration with her two lead actors and about having one’s life actively inspire the creation of a film  

19/05 | Cannes 2026 | Special Screenings

Marché du Film panel tackles the landscape of remakes and reboots in genre filmmaking

Marché du Film panel tackles the landscape of remakes and reboots in genre filmmaking

CANNES 2026: Industry professionals have reframed what it means to make an original work and the possible opportunities to remake in different national contexts  

17/05 | Cannes 2026 | Marché du Film

Review: Dua

Review: Dua

CANNES 2026: Blerta Basholli brings an undeniably powerful clarity of perspective to her sophomore feature, which follows a teenage girl growing up in late-1990s Pristina  

14/05 | Cannes 2026 | Critics’ Week

Review: We Are Aliens

Review: We Are Aliens

CANNES 2026: Kohei Kadowaki makes his feature debut with an animated diptych of two boys, in which one event defines the trajectory of their adolescence  

14/05 | Cannes 2026 | Directors’ Fortnight

Review: Butterfly Jam

Review: Butterfly Jam

CANNES 2026: In the third feature by Kantemir Balagov, Barry Keoghan’s newest single-father character is caught up in a crisis of masculinity with his teenage son  

14/05 | Cannes 2026 | Directors’ Fortnight

Leonardo Pirondi • Director of Tropical Fractals

Interview: Leonardo Pirondi • Director of Tropical Fractals

“I was trying to create these very separate environments that are occupied by the way we look at the world”

The first-time feature director shares his ethos on analogue image-making and working between different subjectivities  

12/05 | IndieLisboa 2026

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