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Veronica Orciari

74 articles available in total starting from 14/01/2025. Last article published on 13/06/2025.

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The European Audiovisual Observatory finds that 20% of films perform better on SVoD than in cinemas

The European Audiovisual Observatory finds that 20% of films perform better on SVoD than in cinemas

According to “The Impact of Cinema Admissions on SVoD Usage” report, strong ticket sales don’t always translate into impressive performance on streaming platforms  

15/02 | Industry | Market | Europe

Robin Coops • Director of One Charming Night

Interview: Robin Coops • Director of One Charming Night

“Filmmaking is thinking through images; it doesn’t matter if you use a big camera, an iPhone or a virtual camera to create your work”

The winner of the Eurimages New Lab: Innovation Award tells us more about his exploration of consent, privacy and intimacy in the digital sphere  

12/02 | IFFR 2025 | IFFR Pro

Film Constellation brings a rich slate of films to the EFM, spearheaded by Fernando Eimbcke’s Olmo

Film Constellation brings a rich slate of films to the EFM, spearheaded by Fernando Eimbcke’s Olmo

The sales agent headquartered in London and Paris is also repping Alejandro Amenábar’s new epic The Captive, among other titles  

12/02 | Berlinale 2025 | EFM

REPORT: Darkroom @ IFFR 2025

REPORT: Darkroom @ IFFR 2025

We take a closer look at five of the 12 projects presented at the Rotterdam-based market, which unspooled from 2-5 February  

12/02 | IFFR 2025 | IFFR Pro

Ignasi Camós • Director general, ICAA

Interview: Ignasi Camós • Director general, ICAA

“One of our main focuses is to strengthen the presence of our films at international festivals and markets”

The director general of the Spanish institution shares insights into its activities and Spain's participation as the guest country at the European Film Market  

11/02 | Berlinale 2025 | EFM

Vincenzo Bugno • Head, World Cinema Fund

Interview: Vincenzo Bugno • Head, World Cinema Fund

“Right now, our priority is to reaffirm our existence”

BERLINALE 2025: We talked to the head of the World Cinema Fund about its work, its goals and the upcoming Berlinale  

11/02 | Berlinale 2025

Review: The Rhine Gold

Review: The Rhine Gold

Lorenzo Pullega's debut feature is a dream-like ode to rural Italy, boasting great visuals but lacking cohesion  

10/02 | IFFR 2025 | Big Screen Competition

The European Audiovisual Observatory launches the free OPUS database

The European Audiovisual Observatory launches the free OPUS database

The tool compares how European countries promote their films, series and TV programmes, and is intended for anyone interested in understanding national legislation  

05/02 | Industry | Market | Europe

Stefano Chiavarini • Producer, Piroetta

Interview: Stefano Chiavarini • Producer, Piroetta

“The work carried out by the Friuli Venezia Giulia Audiovisual Fund represents an Italian 'best practice' that should be valued as much as possible”

We met the Italian producer in Trieste, after his participation in the Streamers Ecosystem lab, which took place during the industry sessions of When East Meets West  

30/01 | Trieste 2025 | WEMW

Research published by Birmingham City University digs deep into the experiences of deaf film and TV professionals in the UK

Research published by Birmingham City University digs deep into the experiences of deaf film and TV professionals in the UK

The study revealed how only 5% of respondents believe there are enough resources and opportunities for deaf film and TV industry professionals  

27/01 | Industry | Market | UK

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