Veronica Orciari 91 articles available in total starting from 14/01/2025. Last article published on 17/07/2025. previous page: 1 2 3 ... 6 7 [8] 9 10 next Series review: Other People's MoneyBERLINALE 2025: Creator Jan Schomburg’s series, loosely based on a real political and economic scandal, grips the audience thanks to its refined visuals and solid story 21/02 | Berlinale 2025 | PanoramaReview: DeliciousBERLINALE 2025: Nele Mueller-Stöfen’s film is an unsettling thriller with a social bent, which doesn't fully succeed in shocking its audience 20/02 | Berlinale 2025 | PanoramaInterview: Yuri Semashko • Director of The Swan Song of Fedor Ozerov“Writing a film is like being a gold miner. You work hard everyday, but when you finally find the gem you’ve been searching for so long, it feels like enlightenment”BERLINALE 2025: The Belarusian director told us about the musical, personal and artistic inspirations behind his feature debut 18/02 | Berlinale 2025 | ForumAt the EFM, Ecoprod and Eurimages unveil Step Up, a sustainability toolkit and e-learning platformBERLINALE 2025: The new tool aims to be a hub for knowledge and experience sharing, representing a significant step towards specialised training for European audiovisual professionals 18/02 | Berlinale 2025 | EFMReview: The Swan Song of Fedor OzerovBERLINALE 2025: Yuri Semashko’s feature debut is an intriguing blend of diverse influences that come together seamlessly, making this micro-budget film particularly memorable 18/02 | Berlinale 2025 | ForumReview: The Blue TrailBERLINALE 2025: Gabriel Mascaro’s film is an explosive combination of a powerful leading character, stunning scenery, sharp humour and mystical rituals 16/02 | Berlinale 2025 | CompetitionAt the EFM, Publikum discusses the usage of anthropology-based AI to enhance audience strategiesBERLINALE 2025: The Danish consultancy firm's Rikke Flodin and Lars Tversted presented their new tools, showing how they can help creatives develop successful projects 16/02 | Berlinale 2025 | EFMThe European Audiovisual Observatory finds that 20% of films perform better on SVoD than in cinemasAccording to “The Impact of Cinema Admissions on SVoD Usage” report, strong ticket sales don’t always translate into impressive performance on streaming platforms 15/02 | Industry | Market | EuropeInterview: Robin Coops • Director of One Charming Night“Filmmaking is thinking through images; it doesn’t matter if you use a big camera, an iPhone or a virtual camera to create your work”The winner of the Eurimages New Lab: Innovation Award tells us more about his exploration of consent, privacy and intimacy in the digital sphere 12/02 | IFFR 2025 | IFFR ProFilm Constellation brings a rich slate of films to the EFM, spearheaded by Fernando Eimbcke’s OlmoThe sales agent headquartered in London and Paris is also repping Alejandro Amenábar’s new epic The Captive, among other titles 12/02 | Berlinale 2025 | EFM previous page: 1 2 3 ... 6 7 [8] 9 10 next