email print share on Facebook share on Twitter share on LinkedIn share on reddit pin on Pinterest

Marta Bałaga

1100 articles available in total starting from 07/04/2017. Last article published on 19/06/2025.

page:   1  2  3 ... 7  8  [9]  10  11 ... 108  109  110 
Review: Gina

Review: Gina

A little girl outgrows her dysfunctional mother in this familiar yet serviceable drama by Ulrike Kofler  

08/07/2024 | Filmfest München 2024

Review: Poison

Review: Poison

Tim Roth and Trine Dyrholm try to out-grieve each other in Désirée Nosbusch’s earnest drama that’s better suited for the stage  

08/07/2024 | Filmfest München 2024

Beata Parkanová • Director of Tiny Lights

Interview: Beata Parkanová • Director of Tiny Lights

“Adults tend to look down on children; in this film, they are all equal”

The Czech filmmaker discusses her tiny protagonist, whose family are convinced she is completely oblivious to the turmoil that’s ripping them apart – but they’re wrong  

05/07/2024 | Karlovy Vary 2024 | Competition

Ivana Gloria • Director of Chlorophyll

Interview: Ivana Gloria • Director of Chlorophyll

“I had to learn to let go of the fear”

The director takes a deep dive into her “modern queer fairy tale”, a film about transformation and the fear of change  

03/07/2024 | Karlovy Vary 2024 | Proxima

Halfdan Ullmann Tøndel • Director of Armand

Interview: Halfdan Ullmann Tøndel • Director of Armand

“Making people uncomfortable might be something I just know how to do”

CANNES 2024: We caught up with the first Norwegian winner of the Caméra d’Or to discuss body language, discomfort and other aspects of his new film  

27/05/2024 | Cannes 2024 | Un Certain Regard

Review: My Sunshine

Review: My Sunshine

CANNES 2024: This likeable film by Hiroshi Okuyama lacks bite, but it will make you want to put on your old skates again – if you manage to find them, that is  

27/05/2024 | Cannes 2024 | Un Certain Regard

Jean-Christophe Meurisse • Director of Plastic Guns

Interview: Jean-Christophe Meurisse • Director of Plastic Guns

“My characters are disguising their actual lives and trying to step into different ones, even if it will eventually destroy them”

CANNES 2024: Wannabe detectives and murderers without a conscience seek each other out in the French director’s film – and predictably, mayhem ensues  

25/05/2024 | Cannes 2024 | Directors’ Fortnight

Mahdi Fleifel • Director of To a Land Unknown

Interview: Mahdi Fleifel • Director of To a Land Unknown

“I’m always intrigued by what it means to have no place where you belong”

CANNES 2024: The Palestinian-Danish director takes on the melancholy of exile as two Palestinian cousins get stranded in Greece  

24/05/2024 | Cannes 2024 | Directors’ Fortnight

Review: Motel Destino

Review: Motel Destino

CANNES 2024: It’s getting hot in here in Karim Aïnouz’s fun, sweaty noir  

23/05/2024 | Cannes 2024 | Competition

Review: The Apprentice

Review: The Apprentice

CANNES 2024: Ali Abbasi’s satire about baby Trump is shallow and pointless, a real misstep for the versatile director  

21/05/2024 | Cannes 2024 | Competition

page:   1  2  3 ... 7  8  [9]  10  11 ... 108  109  110 

Privacy Policy

Creative Europe MEDIA