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Davide Abbatescianni

2117 articles available in total starting from 12/09/2017. Last article published on 11/07/2025.

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Final Cut announces this year’s winners

Final Cut announces this year’s winners

VENICE 2022: The aim of the initiative, which has just wrapped its 10th edition, is to support films in post-production hailing from Africa, Jordan, Iraq, Lebanon, Palestine and Syria  

09/09/2022 | Venice 2022 | Venice Production Bridge

Review: Call of God

Review: Call of God

VENICE 2022: South Korean master Kim Ki-duk’s posthumous film possesses some great pathos, but its potential is undermined by its visual patchiness and nebulous writing  

09/09/2022 | Venice 2022 | Out of Competition

Review: Ghost Night

Review: Ghost Night

VENICE 2022: Fulvio Risuleo makes an excellent dramedy and buddy movie with a sparkling rhythm, supported by the performances of the two leads, Edoardo Pesce and newcomer Yothin Clavenzani  

08/09/2022 | Venice 2022 | Orizzonti Extra

At Venice, the International Coalition for Filmmakers at Risk pledges its support for directors in danger

At Venice, the International Coalition for Filmmakers at Risk pledges its support for directors in danger

VENICE 2022: It’s time to take action and expand the organisation’s operations, all of the panellists agreed  

08/09/2022 | Venice 2022 | Venice Production Bridge

Review: Anhell69

Review: Anhell69

VENICE 2022: Theo Montoya’s hybrid feature is an alarming cri de coeur about how hard it is to be young and queer in Medellín, one of Colombia’s most conservative and most dangerous towns  

08/09/2022 | Venice 2022 | International Film Critics' Week

In Venice, the Roma Lazio Film Commission aims to support the growth of the sector and the territory

In Venice, the Roma Lazio Film Commission aims to support the growth of the sector and the territory

This year, the film commission, which supported four titles, two of which were in competition, organised and participated in various networking and promotional activities  

06/09/2022 | Venice 2022

Review: Dogborn

Review: Dogborn

VENICE 2022: Isabella Carbonell’s debut feature is a gritty, heartbreaking drama that tells us much about human nature and our struggle for survival  

06/09/2022 | Venice 2022 | International Film Critics’ Week

The European Writers Club and The Creatives promise to become powerhouses for writing talents

The European Writers Club and The Creatives promise to become powerhouses for writing talents

VENICE 2022: The priority of both endeavours is to create compelling, high-quality audiovisual content that can strengthen European unity, but which can also travel globally  

05/09/2022 | Venice 2022 | Venice Production Bridge

Italian and Canadian professionals explore the new synergies between the two countries at the Venice Production Bridge

Italian and Canadian professionals explore the new synergies between the two countries at the Venice Production Bridge

VENICE 2022: The speakers talked through the potential co-production and collaboration opportunities involving Italy’s and Canada’s film-industry professionals, entrepreneurs and investors  

05/09/2022 | Venice 2022 | Venice Production Bridge

Review: Monica

Review: Monica

VENICE 2022: Andrea Pallaoro’s third film fails to hold the audience’s attention, relying too heavily on things left unsaid and a soporific pace  

04/09/2022 | Venice 2022 | Competition

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