
The potential of cinema to convey information about Europe and its creativity has been recognised by a large number of EU delegations in third countries. Today, more than 90 out of the 139 EU delegations around the world organise EU film festivals, as this is one of the most effective tools in reaching out and making Europe, its values and its stories known.
In November 2018, the European Commission began a project to support the creation and enhance the quality of European film festivals organised by the delegations of the European Union. The project is managed by a consortium formed by the Goethe-Institut (lead), the Institut français and Cineuropa, the portal for the promotion of European cinema. The initiative offers delegations a variety of services to help them put on European film festivals. They are as follows:
- Film repository. The consortium created a repository of feature and short films and secured their worldwide, non-commercial rights. The team produces and distributes DCPs and Blu-rays to the delegations.
Films currently in the repository:
- Any Day Now
- Dating Amber
- Dodo
- Easy Living
- Even Mice Belong in Heaven
- Extracurricular
- Gentle
- Gods of Molenbeek
- Imad's Childhood
- Io Sto Bene
- Kratt
- Lola
- Luxembourg, Luxembourg
- Luzzu
- Mikado
- Miss Viborg
- Mitra
- Murina
- My Grandfather's Demons
- My Love Affair With Marriage
- Never Gonna Snow Again
- Oskar & Lili
- Our Struggles
- Pause
- Ramona
- Runner
- Sanremo
- Shadow Country
- Schoolgirls
- Servants
- Sisters Apart
- The Big Hit
- The Naked Truth About Zhiguli Band
- Subtitles. The films are subtitled in a wide range of languages. The consortium also provides additional tools, such as dialogue lists and time codes, to allow EU delegations to independently implement the subtitling in local languages;
- Side events. The initiative provides technical and financial assistance for the organisation of "side events", such as invitations for film crews (filmmakers, producers and actors) to take part in Q&A sessions, workshops and master classes, networking meetings between European and local professionals, co-production meetings, film education activities involving schools and teachers, co-operative actions with local film schools and universities, pitching training sessions and audience awards;
- Support for delegations. Several delegations have received additional and direct support from the consortium when organising a European film festival, through the hiring of curators, the researching of local sponsorship and partnerships, and the renting of theatres and other relevant facilities;
- Common visual identity. The consortium has developed a common visual and graphic identity. The graphic identity is a tool to help delegations to create catalogues and other promotional material;
- Training. The consortium offers several online and offline training sessions for delegation officials on the subject of film-festival management;
- Do-it-yourself guide. The consortium has produced a do-it-yourself guide to support the organisation of festivals.
For more information, please contact:
- VALERIO CARUSO
Team leader, Cineuropa
caruso@cineuropa.org - EMMA VIGAND
Project assistant, Cineuropa
vigand@cineuropa.org
In the context of this project, Cineuropa has made several videos addressing festival organisers. These videos are interviews with festival managers and specialists from around the world. They explain how to run and promote a film festival, and offer practical tips and advice.
61 articles available in total starting from 20/05/2019. Last article published on 03/05/2023.
Interview: Lisa Theresa Hoeh • Festival and Program Director Tromsø International Film Festival
"What is special about our festival is that it really is an audience festival"
Festival and program director Lisa Theresa Hoeh talks about how this international film festival has been developing since 1991 in Tromsø.
Interview: Toshiyuki Hasegawa • Programming director of Skip City International D-Cinema Festival
"The requirement for the international competition section is that they are only Japanese premieres"
Toshiyuki Hasegawa talks about the structure of the festival programme, how they finance the events and how they designed the marketing strategies to attract audiences