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REPORT: Cannes 2022

Cineuropa is covering the 75th Cannes Film Festival live from the Croisette with reviews, interviews and market reports...

REPORT: Cannes 2022

260 articles available in total starting from 15/06/2021. Last article published on 23/09/2022.

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Review: God’s Creatures

Review: God’s Creatures

CANNES 2022: Emily Watson and Paul Mescal deliver in Saela Davis and Anna Rose Holmer’s turbulent Oedipal tale of protection, assault and alliances  

23/05/2022 | Cannes 2022 | Directors’ Fortnight

Meet Cineuropa @ #Cannes2022 - Take 5

Meet Cineuropa @ #Cannes2022 - Take 5

"You have no idea how many stories started here, around a drink, speaking about something else, then one thing leads to another and the film is born"

In the fifth episode of our new short video series from this year's Cannes Film Festival, Elena Lazic talks to Cineuropa editor-in-chief Domenico La Porta  

23/05/2022 | Meet Cineuropa/Cannes 2022

The Visitor scoops the Next Step Award at Cannes

The Visitor scoops the Next Step Award at Cannes

CANNES 2022: The project by Lithuania’s Vytautas Katkus has taken home the award handed out by the Critics’ Week to accompany talents as they make the leap from short to feature films  

23/05/2022 | Cannes 2022 | Critics’ Week/Awards

Review: Boy from Heaven

Review: Boy from Heaven

CANNES 2022: There’s wall-to-wall intrigue and conspiracy within the confines of Cairo's Al-Azhar University, in Tarik Saleh’s new outing  

23/05/2022 | Cannes 2022 | Competition

Review: The Five Devils

Review: The Five Devils

CANNES 2022: Witchcraft plays a bad trick on Léa Mysius with her overly ambitious film, which puzzles audiences despite its good qualities  

23/05/2022 | Cannes 2022 | Directors' Fortnight

Review: Magdala

Review: Magdala

CANNES 2022: By magnifying the extraordinary expressive talents of Elsa Wolliaston, Damien Manivel offers a mystic and sensorial cinematic experience that is both radical and nourishing  

23/05/2022 | Cannes 2022 | ACID

Review: Falcon Lake

Review: Falcon Lake

CANNES 2022: Charlotte Le Bon’s directorial debut is certainly not the coming-of-age film one might expect to watch  

22/05/2022 | Cannes 2022 | Directors’ Fortnight

Davy Chou • Director of Return to Seoul

Interview: Davy Chou • Director of Return to Seoul

“I take great pleasure in helping filmmakers accomplish their vision, when I really admire their talent”

CANNES 2022: We met up with the French-Cambodian director, who has crafted an impressive and intimate feature around the topics of adoption and identity  

22/05/2022 | Cannes 2022 | Un Certain Regard

Review: Don Juan

Review: Don Juan

CANNES 2022: Serge Bozon offers up a clever, episodic work in the form of a double-bottomed inversion of the legend of Don Juan, played by Tahar Rahim who’s made vulnerable by a many-faced...  

22/05/2022 | Cannes 2022 | Cannes Première

Review: Forever Young

Review: Forever Young

CANNES 2022: Valeria Bruni-Tedeschi delivers a beautifully mature work, diving back into the vibrant and initiatory, young universe of student-actors at Patrice Chéreau’s Théâtre des Amandiers  

22/05/2022 | Cannes 2022 | Competition

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