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by Max Linz


The Institute for Cybernetics and Simulation Research is threatened with closure – the starting point for this satire about how the university system is to be transformed into a turbo-capitalist research machine. Phoebe Phaidon, a highly qualified, up-and-coming young academic, accepts yet another temporary teaching contract. With her progressive ideals on climate research still more or less intact, she acts as a link to the frustrated, yet combat-ready students who have occupied the library. On the other side of the battle lines are the established faculty, whose will to survive in the cesspool of third-party funding acquisition has ground them down into vain cynics for whom no ridiculous concession to evaluation madness is too grotesque. Max Linz crafts his film with a keen sense of Berlin’s sensitivities, urban backdrops, office décor and academic attire. And he exaggerates decadent university jargon with gusto, its buzzwords functioning almost like the bait in behavioural studies. By the end, the film has practically become a musical, with a catchy tune that could be a post-capitalist revolutionary anthem: “Why can’t it be nice here, why are we not happy?”

international title: Music and Apocalypse
original title: Weitermachen Sanssouci
country: Germany
year: 2019
genre: fiction
directed by: Max Linz
film run: 80'
screenplay: Max Linz, Nicolas von Passavant
cast: Sarah Ralfs, Sophie Rois, Philipp Hauß, Bernd Moss, Maryam Zaree, Bastian Trost, Leonie Jenning, Luis Krawen, Martha von Mechow, Max Wagner
cinematography by: Carlos Andrés López
film editing: Bernd Euscher, René Frölke
art director: Sylvester Koziolek
costumes designer: Pola Kardum
music: GAJEK
producer: Maximilian Haslberger, Cooky Ziesche
production: Amerikafilm, Rundfunk Berlin-Brandenburg - RBB
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