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7852 film reviews available in total starting from 04/09/2002. Last updated on 18/06/2025. 776 film reviews inserted in the last 12 months.
LATEST
Looking for Eric by Ken Loach
19/05/2009
True to his penchant for social realism in film, Loach turns out a working man’s fairy tale this time around, with an optimistic take that fans the flame of solidarity and friendship
Looking for Horses by Stefan Pavlovic
26/04/2021
In his experimental documentary, which triumphed in Visions du Réel's Burning Lights Competition, Stefan Pavlović tells an intimate story of an unlikely friendship
Looking For Hortense by Pascal Bonitzer
05/09/2012
Pascal Bonitzer's sixth film as a director has brought a lighter note to the 69th Venice Film Festival's sometimes quite dark selection
Looking for Oum Kulthum by Shirin Neshat
03/09/2017
VENICE 2017: Iranian filmmaker Shirin Neshat directs a movie about the legendary Egyptian singer, a biopic that thinks outside the box, interweaving cinema and metacinema
Looking for Venera by Norika Sefa
08/02/2021
Selected as Kosovo's Oscars submission, Norika Sefa's feature debut uses a simple but effective plot to depict how teenage girls are currently growing up in Kosovar society
Looking Like My Mother by Dominique Margot
19/04/2016
Dominique Margot returns to Visions du Réel to present her latest film, which tells the story, through dreams and reality, of her depressed mother
Loop by Isti Madarász
03/03/2017
The debut feature by Hungarian director Isti Madarász, which was unveiled in competition at Fantasporto, plunges us into the suspense of a time loop
Looted by Rene Pannevis
27/11/2019
Rene Pannevis takes a look at the life of carjackers in an English coastal town in his debut feature about crime and morality
Lord of the Ants by Gianni Amelio
07/09/2022
VENICE 2022: An overly classical directorial style weakens Gianni Amelio’s biopic about a scandalous “duress” lawsuit in Italy in 1968
Lords of Chaos by Jonas Åkerlund
23/10/2018
In telling the story of Norwegian black-metal band Mayhem, Swedish director Jonas Åkerlund makes his most traditional film yet
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