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7315 film reviews available in total starting from 04/09/2002. Last updated on 24/09/2024. 784 film reviews inserted in the last 12 months.
LATEST
Explanation for Everything by Gábor Reisz
01/09/2023
VENICE 2023: Gábor Reisz delivers a brilliant, fascinating and intelligent work about modern-day Hungary, telling a composite story about youth, education, the media and politics
Extra Ordinary by Mike Ahern, Enda Loughman
12/07/2019
Mike Ahern and Enda Loughman’s film pays tribute to the great comedy horrors, enlivening them with refreshing black humour
Extracurricular by Ivan-Goran Vitez
19/07/2019
Ivan-Goran Vitez's third feature is a tense hostage thriller with sharp political commentary built in
The Extraordinary Journey of Celeste Garcia by Arturo Infante
19/09/2018
TORONTO 2018: Filmmaker and screenwriter Arturo Infante directs a science fiction comedy about the emancipation of women in modern-day Cuba
Extraordinary Tales by Raúl García
20/02/2015
The movie, screened at the Brussels Anima Festival, consists of five stories by Edgar Allan Poe that help us to reconsider the life and work of this famous author
Extraterrestrial by Nacho Vigalondo
12/03/2012
Lies and manipulation, sci-fi and comedy. An ingenious and amusing yet minimalist Spanish comedy. Cineuropa Prize at the Arcs Film Festival.
Eye for an Eye by Paco Plaza
30/08/2019
Paco Plaza proves the Spanish thriller is far from dead with a feature that has a powerful psychological impact, a tragic tone, strong mise-en-scène and a finale that will shake you to your very core
The Eyes of Orson Welles by Mark Cousins
10/05/2018
CANNES 2018: Through drawings and doodles made by Orson Welles, filmmaker and scholar Mark Cousins gives us an insight into the man and his movies
Eyes of the Soul by Carlota Nelson
31/10/2023
Carlota Nelson directs an exciting surprise camouflaged under the guise of a television documentary that sheds light on a captivating artist who tells moving stories with images
Fabian - Going to the Dogs by Dominik Graf
08/03/2021
BERLINALE 2021: Set during the decline of the Weimar Republic, Dominik Graf’s film fails to be relevant or engaging, despite Tom Schilling and Saskia Rosendahl’s best efforts
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