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7323 film reviews available in total starting from 04/09/2002. Last updated on 26/09/2024. 788 film reviews inserted in the last 12 months.
LATEST
Krieg by Rick Ostermann
08/09/2017
VENICE 2017: Rick Ostermann returns to Venice with a drama set on a mountain where a man hides himself after a loss
Kripton by Francesco Munzi
17/01/2024
In his documentary, Francesco Munzi tackles the topic of mental illness with respect and empathy, giving a voice to psychiatric patients from a therapeutic community in Rome
Kristos, The Last Child by Giulia Amati
16/09/2022
VENICE 2022: Giulia Amati’s insightful documentary follows a messianically named tyke who’s the youngest person living on the 30-inhabitant-strong Greek island of Arki
Krump by Cédric Bourgeois
27/06/2022
Cédric Bourgeois offers up a first feature film oscillating between dark comedy and nihilist crime movie, following the rickety adventures of a small-town thief who’s not cut out for crime
La kryptonite nella borsa by Ivan Cotroneo
18/11/2011
Naples and its diversity in the 1970s. An accomplished comedy for the debut film by a writer delving back into his memories.
Krystof by Zdenek Jirasky
15/10/2021
Zdeněk Jiráský's latest feature follows a man who finds himself on the run, his life upended by the communist-led purges of Czech religious institutions
Kuma by Umut Dag
01/06/2012
In a very promising Austrian feature debut that opened the Panorama section of the 2012 Berlinale, a family is shaken by the arrival of a young woman.
Kung Fu Zohra by Mabrouk el Mechri
01/02/2022
Mabrouk El Mechri places domestic violence in a Karate Kid setting, with Sabrina Ouazani playing the role of an abused wife trying to break free using martial arts
Kursk by Thomas Vinterberg
05/10/2018
Denmark’s Thomas Vinterberg directs an English-language drama about the sinking of the K-141 submarine, starring a European cast toplined by Matthias Schoenaerts, Léa Seydoux and Colin Firth
Kyuka - Before Summer's End by Kostis Charamountanis
15/05/2024
CANNES 2024: For such a sun-soaked story, Kostis Charamountanis’s film is surprisingly dark
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