Film Reviews

7850 film reviews available in total starting from 04/09/2002. Last updated on 16/06/2025. 781 film reviews inserted in the last 12 months.

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Piazza Fontana: The Italian Conspiracy by Marco Tullio Giordana

27/03/2012

With rigour and dryness, the director recounts the massacre of December, 12, 1969, a tragedy which has become part of the country’s DNA.  

Picco by Philip Koch

20/05/2010

Picture of His Life by Dani Menkin, Yonatan Nir

24/05/2019

Yonatan Nir and Dani Menkin's documentary about underwater photographer Amos Nachoum's attempt to nail an elusive photo has opened the 21st Docaviv  

Picture of His Life

Picture of His Life

A Picture to Remember by Olga Chernykh

30/01/2024

Olga Chernykh delivers a lyrical exploration of her heritage in the Donbass, offering up a war diary and linking it with her family’s story by way of images from their own personal archive  

Foto na pam’yat

Foto na pam’yat

Pictures in Mind by Eleonora Camizzi

20/11/2024

Swiss filmmaker Eleonora Camizzi presents a tender, inquisitive and personal debut feature about family and schizophrenia  

Bilder im Kopf

Bilder im Kopf

Piece of My Heart by Dana Nechushtan

28/11/2022

Friendship is tainted by jealousy – and way too much booze – in Dana Nechushtan's clunky ballerina melodrama  

Piece of My Heart

Piece of My Heart

Pieces of a Woman by Kornél Mundruczó

07/09/2020

VENICE 2020: Kornél Mundruczó's new film is a decent character study, and its strength mainly stems from the performances of the three great leads  

Pieces of a Woman

Pieces of a Woman

Pierce by Nelicia Low

08/07/2024

In her psychological thriller, Nelicia Low showcases admirable control of cinematic language and storytelling  

Cì xīn qiè gŭ

Cì xīn qiè gŭ

Pierino by Luca Ferri

15/03/2019

Luca Ferri visited a retired Bergamo film-lover at his home every week for a year and filmed it on VHS while he talked about how he spent his days  

Pierino

Pierino

Piety by Eduardo Casanova

07/07/2022

Eduardo Casanova draws parallels between the household and the state dictatorship in his largely pastel-coloured second feature  

La piedad

La piedad

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