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6927 film reviews available in total starting from 04/09/2002. Last updated on 19/04/2024. 752 film reviews inserted in the last 12 months.
LATEST
On The Bride's Side by Antonio Augugliaro, Gabriele Del Grande, Khaled Soliman Al Nassiry
11/09/2014
VENICE 2014: The Palestinian-Italian film, presented as a world premiere in the Orizzonti section, is a crazy act of solidarity with those who are fleeing the fighting in Syria
On the Edge by Nicolas Peduzzi
23/03/2023
Nicolas Peduzzi returns with an intense documentary set in a Clichy hospital where a young psychiatrist takes care of complicated cases with rare patience and understanding
On the Edge by Giordano Gederlini
27/06/2022
Giordano Gederlini delivers a noir, even desperate thriller, in a nocturnal Brussels, where men no longer want to fight but are forced to
On the Fringe by Juan Diego Botto
06/09/2022
VENICE 2022: Juan Diego Botto’s drama follows three individuals cast aside by society and the welfare system, who become entangled in the Spanish housing crisis
On the Go by María Gisèle Royo, Julia de Castro
08/08/2023
Julia de Castro and Marìa Gisèle Royo’s film is a queer, feminist road movie, both hilarious and militant, which urges us to tackle life head-on without fear of the future
On the Milky Road by Emir Kusturica
10/09/2016
VENICE 2016: Serbo-Bosnian director Emir Kusturica makes a return to the Lido with a fable set during the Yugoslav war
On the Names of the Goats by Miguel G. Morales, Silvia Navarro
14/11/2019
Using archive material as their starting point, Silvia Navarro Martín and Miguel G Morales question the very identity of the Canary Islands, scrutinising the commonly accepted historical account
On the Other Side by Zrinko Ogresta
15/02/2016
BERLIN 2016: Zrinko Ogresta's latest feature, which world-premiered in the Panorama section, is ostensibly about repentance and forgiveness, but actually offers a much wider array of ideas
On The Path by Jasmila Žbanić
18/02/2010
On the Pulse by Alix Delaporte
07/09/2023
VENICE 2023: Despite its many high-quality components, Alix Delaporte doesn’t pull off her portrayal of a group of international correspondents, on account of excessive goodwill
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