Film Reviews

7850 film reviews available in total starting from 04/09/2002. Last updated on 16/06/2025. 784 film reviews inserted in the last 12 months.

LATEST

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Blanka by Kohki Hasei
05/09/2015
VENICE 2015: Kohki Hasei’s new feature, a co-production between Italy and Japan shown in the Biennale College Cinema section, explores the Manila underworld  
Blanka
Blanquita by Fernando Guzzoni
05/09/2022
VENICE 2022: It’s a dark, dark world in Fernando Guzzoni’s well-executed title. And it feels worryingly familiar  
Blanquita
A Blast by Syllas Tzoumerkas
13/08/2014
The second film by Greek director Syllas Tzoumerkas is a story of a woman who is no longer able to stand frustration brought on by personal and social problems  
A Blast
Bleak Street by Arturo Ripstein
23/11/2015
A slice of pure Arturo Ripstein, produced by Mexico and Spain, opened the Gijón Film Festival with its loose recreation of a tragicomic real-life event from the Mexico City underworld  
La calle de la amargura
Blessed by Sofia Djama
18/10/2017
Sofia Djama's feature debut is a dense, multi-layered film about two generations of Algerians six years after the Civil War  
Les Bienheureux
Blessed Madness by Carlo Verdone
11/01/2018
The Italian director's latest film is released in his country and tells the story of love in the era of dating apps, exploring new territories, while also giving a nod to some of his past comedies  
Benedetta follia
Blind by Eskil Vogt
12/02/2014
Discovered in Sundance where he was distinguished for his screenplay, the first film presented as a director by Eskil Vogt of Norway is screened in the Panorama section of the Berlinale  
Blind
The Blind Christ by Christopher Murray
02/09/2016
VENICE 2016: Christopher Murray’s film, a Chilean-French co-production, centres around the need to have faith… in yourself  
El Cristo ciego
Blind Dates by Levan Koguashvili
17/02/2014
Levan Koguashvili's follow-up to Street Days manages to be both funny and profound  
Brma paemnebi
Blind Love by Damien Hauser
30/11/2021
This thrifty, inventive, no-budget debut by young Swiss-Kenyan filmmaker Damien Hauser tackles the subject of disability with both empathy and irreverence  
Pime armastus

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