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7850 film reviews available in total starting from 04/09/2002. Last updated on 17/06/2025. 778 film reviews inserted in the last 12 months.
LATEST
United States of Love by Tomasz Wasilewski
19/02/2016
BERLIN 2016: In a post-Cold War Poland under the Solidarity movement, Tomasz Wasilewski follows the crossed paths of four women who express their desire for love through shame
The Universal Theory by Timm Kröger
04/09/2023
VENICE 2023: Timm Kröger’s sci-fi thriller is mysterious – so mysterious that you might even struggle to understand what it’s actually about
L'universale by Federico Micali
06/04/2016
The debut piece by documentary maker Federico Micali is a comedy about the legendary cinema in Florence which reflects historical events that affected the whole country
The Unknown Girl by Luc Dardenne, Jean-Pierre Dardenne
18/05/2016
CANNES 2016: The Dardenne brothers bring us a new and extremely astute social parable on the theme of individual responsibility
The Unknown Saint by Alaa Eddine Aljem
15/05/2019
CANNES 2019: In methodically exploring the precise mechanisms of the burlesque fable, Moroccan filmmaker Alaa Eddine Aljem draws a social portrait evocative of his country
The Unlikely Pilgrimage of Harold Fry by Hettie Macdonald
28/04/2023
Behind the quirky title of Hettie Macdonald’s film lies a surprisingly profound, often sad yet ultimately hopeful look at apathy, faith and self-sacrifice
Unmoored by Caroline Ingvarsson
15/11/2023
Caroline Ingvarson’s feature debut is a run-of-the-mill thriller-drama hampered by some questionable artistic choices
Unremember by Flavia Castro
04/09/2018
VENICE 2018: Largely autobiographical, Flavia Castro’s Orizzonti-presented film is a seamless blend of personal and societal histories of Brazil after the fall of the military dictatorship
Unrest by Cyril Schäublin
22/02/2022
BERLINALE 2022: There will be time for anarchist revolution in the watchmaking ateliers of Switzerland, claims rising and now Berlin-awarded filmmaker Cyril Schäublin
Unruly by Malou Reymann
21/09/2022
Malou Reymann's unsettling historical drama is awash with subtle modern-day parallels to female reproductive choices
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