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7850 film reviews available in total starting from 04/09/2002. Last updated on 17/06/2025. 778 film reviews inserted in the last 12 months.
LATEST
Mercenary by Sacha Wolff
18/05/2016
CANNES 2016: Following the long and winding path of a young rugby player from Wallis and Futuna thrust into mainland France, Sacha Wolff has made a stunning and enlightening feature debut
Merckx by Christophe Hermans, Boris Tilquin
03/02/2025
Delivering a documentary composed of archive footage, Christophe Hermans and Boris Tilquin not only paint the portrait of an extraordinary man, but also of a sport and a world undergoing great change
Mercy by Fulvio Bernasconi
27/09/2016
Fulvio Bernasconi, a director from Ticino who trained at the ECAL in Lausanne, returns to fiction with an elegant and celestial film about violence and redemption
Mercy by Matthias Glasner
11/10/2012
The German director has made a brilliant film about family, guilt, and redemption set in the frozen landscapes of Norway. A contender at the 2012 Berlinale.
The Mercy of the Jungle by Joël Karekezi
12/09/2018
TORONTO 2018: Joël Karekezi leads his protagonists into an anti-militarist odyssey, revisiting the troubled contemporary history of the Great Lakes region
A Mere Breath by Monica Lazurean-Gorgan
27/10/2016
Romanian filmmaker Monica Lăzurean-Gorgan's new film enriches the viewer both intellectually and emotionally
Merry Christmas by Christian Carion
08/11/2005
An epic and humanistic voyage through history’s secrets. A director’s fight for mankind’s fraternization in the midst of the war between nations
Merry Christmas, Yiwu by Mladen Kovačević
30/01/2020
Mladen Kovačević paints a fascinating portrait of the city of Yiwu in China, which produces over two-thirds of the world’s Christmas decorations
The Message by Iván Fund
18/02/2025
BERLINALE 2025: Iván Fund crafts a simple but spellbinding tale of the simultaneous loss and preservation of innocence through the travels of a young girl known for communicating with animals
Met mes by Sam de Jong
01/02/2022
Sam de Jong’s new feature is a bizarre cinematic journey about vanity, set in a crazily hallucinatory dimension dominated by oversaturated colours
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