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7323 film reviews available in total starting from 04/09/2002. Last updated on 26/09/2024. 788 film reviews inserted in the last 12 months.
LATEST
The Neon Demon by Nicolas Winding Refn
20/05/2016
CANNES 2016: Nicolas Winding Refn forges ahead with his visual odyssey, taking a scathingly satirical look at the world of America’s top models
Neon Heart by Laurits Flensted-Jensen
28/09/2018
SAN SEBASTIÁN 2018: Writer-director Laurits Flensted-Jensen explores the norms and boundaries of modern society through the story of three unhappy protagonists
Neon Spring by Matīss Kaža
22/08/2022
A new coming-of-age story from Latvia, directed by Matiss Kaza, breathes some new life into a well-worn genre
Neruda by Pablo Larraín
15/05/2016
CANNES 2016: Chile's Pablo Larraín escapes into the exuberant world of “communist” author Pablo Neruda, reinventing him by creating his "half-moronic, half-stupid" nemesis
Nest by Mattia Temponi
03/11/2021
Mattia Temponi’s first work is a zombie film explicitly referencing the Covid-fuelled lockdown and hovering between genre movie and metaphor
The Nest of the Turtledove by Taras Tkachenko
25/07/2016
Ukrainian director Taras Tkachenko uses his first film, which won the Award for Best Ukrainian Feature at Odessa, to tackle the subject of economic migration through a story about returning home
The Nest by Sean Durkin
04/12/2020
Jude Law and Carrie Coon play a bitterly unhappy couple trying to live the 1980s high life, in Sean Durkin’s belated follow-up to 2011’s Martha Marcy May Marlene
The Nest by Roberto De Feo
15/08/2019
The new film from Roberto De Feo is an homage to Italian horror cinema and offers interesting ideas, but the weakness of the script jeopardizes its potential
The Nest by Klaudia Reynicke
12/08/2016
LOCARNO 2016: Klaudia Reynicke brings us a very personal film imbued with a wild mysticism that’s almost savage. A fictional first film which is surprising and intriguing
Never Ever by Benoît Jacquot
10/09/2016
VENICE 2016: French director Benoît Jacquot returns to Venice with his latest full-length feature, adapted for the big screen from a novella by Don DeLillo by its own star, Julia Roy
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