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7850 film reviews available in total starting from 04/09/2002. Last updated on 17/06/2025. 778 film reviews inserted in the last 12 months.
LATEST
One Day by Zsófia Szilágyi
09/05/2018
CANNES 2018: Zsófia Szilágyi’s first full-length film heaves with tension and a keen sense of realism, following the daily grind of a woman and mother on the verge of breaking down
One Day All This Will Be Yours by Andreas Öhman
02/02/2023
Andreas Öhman’s film is a finely tuned take on the lighter and darker sides of family dynamics, enhanced by solid acting by both live and animated performers
One Day in Sarajevo by Jasmila Žbanić
19/08/2015
Jasmila Žbanić has brought a collage filmed by various people on the 100th anniversary of the assassination of Franz Ferdinand in Sarajevo
One Day in Ukraine by Volodymyr Tykhyy
01/07/2022
Volodymyr Tykhyy takes us on a tour of duty and civilian activism over the course of one day on the Kyiv frontline
The One-Eyed King by Marc Crehuet
07/06/2017
Spanish filmmaker Marc Crehuet’s four-character film cleverly balances laughs and relevance
One Fine Morning by Mia Hansen-Løve
20/05/2022
CANNES 2022: An expert in observing and distilling the micro-emotions which form the fabric of our lives, Mia Hansen-Løve paints a wonderful portrait of a woman facing a crossroads in her life
One Floor Below by Radu Muntean
14/05/2015
CANNES 2015: Radu Muntean unveils a highly subtle and skilfully staged psychological film about a man at odds with his conscience
One for All by David Ilundain
31/07/2020
David Ilundain, like other filmmakers before him, enters an imaginary classroom to document little-known conflicts between young people, the dynamics between them and their teachers
One in a Thousand by Clarisa Navas
21/02/2020
BERLINALE 2020: The expression “growing pains” was coined for a reason, as proven by Clarisa Navas’ sophomore feature, which has opened the Panorama section of the Berlinale
One Last Evening by Lukas Nathrath
01/02/2023
Lukas Nathrath’s feature debut takes in a dinner-party-from-hell scenario, set against the actual quasi-hell of the COVID-19 pandemic
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