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7850 film reviews available in total starting from 04/09/2002. Last updated on 17/06/2025. 778 film reviews inserted in the last 12 months.
LATEST
High Life by Claire Denis
27/09/2018
SAN SEBASTIÁN 2018: Claire Denis launches us on odyssey to save humanity in a film that surprises, fascinates and beguiles
High Maintenance – The Life and Work of Dani Karavan by Barak Heymann
27/05/2021
Barak Heymann invites viewers to familiarise themselves with the charming, magnetic personality of the Israeli genius, as he inspects the upkeep of some of his original works
The High Pressures by Ángel Santos
13/11/2014
Ángel Santos paints a portrait of the modern man who sees the world through a camera lens and envies the – improbably – happy lives of other people while he returns to his origins
High-Rise by Ben Wheatley
23/09/2015
SAN SEBASTIÁN 2015: The eagerly awaited fifth film by the director of Sightseers is a free and frenzied adaptation of the novel by the dystopian British author
The High Sun by Dalibor Matanić
17/05/2015
CANNES 2015: Dalibor Matanic skilfully weaves three interethnic love stories set ten years apart from one another in the dramatic context born out of the Serbo-Croatian conflict
A Hijacking by Tobias Lindholm
18/09/2012
Tobias Lindholm's intense thriller explores the consequences of a hijacking by the Somali pirates.
The Hill Where Lionesses Roar by Luàna Bajrami
08/07/2021
CANNES 2021: Luàna Bajrami delivers a fine first feature, fresh and full of punch, about three girls who metamorphose into a pack of thieves in order to escape the destiny already drawn out for them
Him by Guillaume Canet
11/10/2021
Guillaume Canet offers a variation on the theme of the artist struggling for inspiration but fails to allow the viewer full access to the lead character’s tormented mind
Hinterland by Stefan Ruzowitzky
09/08/2021
Awarded an Oscar for The Counterfeiters, Austrian director Stefan Ruzowitzky presents his latest film in a world premiere on Locarno’s Piazza Grande
Hippocrates by Thomas Lilti
23/05/2014
CANNES 2014: Thomas Lilti closed the Critics’ Week with a subtle film about a young doctor’s initiation into the crisis-ridden world of public hospitals
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