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7850 film reviews available in total starting from 04/09/2002. Last updated on 17/06/2025. 778 film reviews inserted in the last 12 months.
LATEST
Beginning by Dea Kulumbegashvili
25/09/2020
In her mesmerising Georgia-set debut film, Dea Kulumbegashvili questions the norms of society that have been informed by Abrahamic religions
Beginnings by Jeanette Nordahl
20/02/2025
BERLINALE 2025: Trine Dyrholm’s powerhouse performance drives Jeanette Nordahl’s second feature, a sophisticated, grounded and universally relatable family drama
The Beheading of St John the Baptist by Siniša Cvetić
04/05/2023
Promising Serbian director Siniša Cvetić places traditional customs and dangerous modern-day habits on the same table in his theatre-like tragicomical feature debut
Behemoth by Zhao Liang
12/09/2015
VENICE 2015: Zhao Liang returns to Venice with a documentary Divine Comedy – a journey into the hell created by civilisation
Behind the Glass by Zrinko Ogresta
29/09/2008
A love triangle that reflects the transitional situation in Croatia by a distant observer of people caught in the web of fate
Behind the Haystacks by Asimina Proedrou
14/11/2023
Asimina Proedrou's proficient debut explores moral ambiguities and social tensions on the Greek border, with a stamp of approval as the country’s Academy Award submission
Behind the Mountains by Mohamed Ben Attia
08/09/2023
VENICE 2023: In Tunisian director Mohamed Ben Attia’s mysterious and suggestive new film, you’ll believe a dad can fly
Behind the Random Denominator by Mart Sander
15/05/2017
This horror debut – which recently had its world premiere at the Haapsalu Horror and Fantasy Film Festival in Estonia – plays with the clichés of the genre to present a puzzle box of a film
Being 17 by André Téchiné
15/02/2016
BERLIN 2016: André Téchiné’s new film, the screenplay for which he wrote with Céline Sciamma, is a physical, sensual and enjoyable film on the blossoming of desire between two high-school students
Being Bo Widerberg by Jon Asp, Mattias Nohrborg
16/05/2025
CANNES 2025: As far as classic “new Swedish cinema” goes, the namesake of this solid biographical documentary by Jon Asp and Mattias Nohrborg ticks most of the boxes
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