Film Reviews

7850 film reviews available in total starting from 04/09/2002. Last updated on 17/06/2025. 778 film reviews inserted in the last 12 months.

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Aya by Simon Coulibaly Gillard
16/07/2021
CANNES 2021: Simon Coulibaly Gillard delivers a traditional yet unusual coming-of-age tale which borrows from the documentary form in terms of its method and from fiction in terms of its power  
Aya
Ayka by Sergey Dvortsevoy
19/05/2018
CANNES 2018: Through the latest work by Kazakh filmmaker Sergey Dvortsevoy, we undergo a taxing physical experience alongside a young Kyrgyz mother, living illegally in Russia  
Ayka
Azor by Andreas Fontana
04/03/2021
BERLINALE 2021: Andreas Fontana offers a captivating first feature following in the wake of a Swiss banker who is plunged into a labyrinthine mission navigating society’s noxious upper echelons  
Azor
Azza by Stefanie Brockhaus
30/05/2025
German filmmaker Stefanie Brockhaus’s second Saudi Arabian-set documentary follows a fierce and inspiring protagonist as she strives for independence and a better life  
Azza

B.O.Y. - Bruises of Yesterday by Søren Green
12/11/2024
Danish director Søren Green’s first fiction feature film explores self-harming among young people and urges us not to leave our adolescents alone with their demons  
Glasskår
Baan by Leonor Teles
09/08/2023
A gentle portrait of pulsating hearts, Leonor Teles’ first fiction feature is an invitation to embark on a timeless journey through the intricacies of human connections  
Baan
Baaria by Giuseppe Tornatore
02/09/2009
Babi Yar. Context by Sergei Loznitsa
02/12/2021
There are no words to describe the massacre that took place in 1941 just outside Kiev, and Sergei Loznitsa is not even trying to find them  
Babi Yar. Context
Baby by Marcelo Caetano
21/05/2024
CANNES 2024: In Marcelo Caetano’s newest feature, a young man looking for his parents and an older male escort connect in the gay urban scene of São Paulo  
Baby
Baby by Juanma Bajo Ulloa
15/10/2020
Juanma Bajo Ulloa continues to prove that he is clearly not an accommodating filmmaker with this daring, macabre tale completely devoid of dialogue, which you will either love to bits or detest  
Baby

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