Film Reviews

7849 film reviews available in total starting from 04/09/2002. Last updated on 14/06/2025. 783 film reviews inserted in the last 12 months.

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Calendar Girls by Maria Loohufvud, Love Martinsen
26/01/2022
Maria Loohufvud and Love Martinsen’s good-natured Swedish documentary feels way too familiar, and not just because of that title  
Calendar Girls
Caliber 9 by Toni D'Angelo
25/11/2020
Toni D'Angelo offers up a pacy sequel to the 1970s crime movie Caliber 9, adapting it to the modern criminal world though failing to convey the atmosphere of its predecessor  
Calibro 9
Calibre by Matt Palmer
29/06/2018
Matt Palmer infuses fresh impetus into a timeless formula for his first film, awarded with the Michael Powell Award for Best British Feature Film at Edinburgh  
Calibre
California Dreaming by Fabrizio Maltese
14/03/2019
Fabrizio Maltese’s new documentary confirms his fascination with desert expanses  
California Dreaming
Californie by Alessandro Cassigoli, Casey Kauffman
05/09/2021
VENICE 2021: Alessandro Cassigoli and Casey Kauffman’s first fiction film speaks of a Moroccan youth’s courage, solitude and attempts at integration in the Neapolitan hinterland  
Californie
Call Girl by Mikael Marcimain
05/06/2013
Mikael Marcimain's first feature vies for an important award at Romania's biggest film festival  
Call Me Francesco by Daniele Luchetti
27/11/2015
"I didn’t want to make a ‘holy flick’", explains Daniele Luchetti, the director of the film about Jorge Bergoglio that Medusa is due to release in Italian theatres on 3 December  
Chiamatemi Francesco - Il Papa della gente
Call Me Intern by Nathalie Berger, Leo Hyde
16/03/2021
Nathalie Berger and Leo David Hyde open our eyes to the world of unpaid internships, which often drive their incumbents into a state of precariousness  
Call Me Intern
Call Me Marianna by Karolina Bielawska
18/11/2015
Karolina Bielawska's first feature-length documentary is screening in the Tallinn Black Nights Film Festival's Forum section  
Mów Mi Marianna
Call of God by Kim Ki-duk
09/09/2022
VENICE 2022: South Korean master Kim Ki-duk’s posthumous film possesses some great pathos, but its potential is undermined by its visual patchiness and nebulous writing  
Kõne Taevast

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