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7850 film reviews available in total starting from 04/09/2002. Last updated on 16/06/2025. 781 film reviews inserted in the last 12 months.
LATEST
Nobody's Hero by Alain Guiraudie
10/02/2022
BERLINALE 2022 : Alain Guiraudie examines the psyche of “Deep France” through an unrestrained vaudeville both tender and ironic, against the backdrop of fears about terrorist attacks and immigrants
Nobody's Home by Deniz Akçay
30/08/2013
The loss of identity of a family after the unexpected death of the father is the central theme of Turkish director Deniz Akçay’s film debut, presented during Venice Days
Nobody's Watching by Julia Solomonoff
25/04/2017
Argentine filmmaker Julia Solomonoff invites us to walk beside a Latin American immigrant in the USA, joining him in a reflection on courage, adaptation, identity, place and self-deception
Nobody Sleeps in the Woods Tonight by Bartosz M. Kowalski
27/03/2020
Dubbed the “first Polish slasher”, Bartosz M Kowalski’s film is an entertaining horror flick wallowing in nostalgia for the movies of the 1980s
Nocebo by Lorcan Finnegan
14/10/2022
Lorcan Finnegan blends psychological thriller with folk horror to produce a film with disturbing social content
Nocturama by Bertrand Bonello
24/08/2016
Bertrand Bonello’s film is a magnificently directed piece on the risqué and currently very sensitive topic of terrorism
Nocturnal by Nathalie Biancheri
19/12/2019
Italy’s Nathalie Biancheri puts her name to a promising debut with a first feature film produced in the UK and revealing great directorial prowess
Noi e la Giulia by Edoardo Leo
19/02/2015
In cinemas, distributed by Warner Bros Pictures, is the movie written by, directed by and starring Edoardo Leo, with a cast including Luca Argentero, Claudio Amendola and Claudio Buccirosso
Nomad: In the Footsteps of Bruce Chatwin by Werner Herzog
13/06/2019
Werner Herzog fashions a warm documentary tribute to his great friend and fellow maverick, British travel writer Bruce Chatwin
Non-Aligned: Scenes from the Labudović Reels by Mila Turajlic
24/11/2022
The second half of Mila Turajlić’s diptych about the cameraman who became Yugoslav president Tito's personal cinematographer suffers from being too vague and wide-ranging
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