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7850 film reviews available in total starting from 04/09/2002. Last updated on 17/06/2025. 778 film reviews inserted in the last 12 months.
LATEST
Mancino naturale by Salvatore Allocca
30/03/2022
Salvatore Allocca’s dramedy about the world of youth football treats us to a few wonderful moments but is underpinned by an uplifting story which refuses to break with historic TV fiction codes
Mandibles by Quentin Dupieux
06/09/2020
VENICE 2020: With a laugh-out-loud film that feels like a long-lost cousin of the Coen brothers’ “idiot trilogy”, Quentin Dupieux once again makes the world a much better place
Mandrake by Lynne Davison
22/04/2022
Mystery definitely comes first in Lynne Davison’s debut feature
Manga D'Terra by Basil Da Cunha
07/08/2023
Swiss-Portuguese director Basil Da Cunha is back investigating the complex reality of the Reboleira neighbourhood, but this time it’s women who take centre stage
Mangrove by Steve McQueen
08/10/2020
Steve McQueen’s new effort is a stunning depiction of police brutality in Britain, highlighting the problem of institutionalised racism
Manhood by Péter Politzer
23/07/2018
Péter Politzer’s work is a stylish "vision fugitive" which employs a poetics worthy of New Wave cinema to describe three particular moments in the lives of three modern-day Budapest men
Manieggs - Revenge of the Hard Egg by Zoltán Miklósy
18/02/2015
A mix of parody and a tribute to Hollywood action movies in this Hungarian action comedy, screened at the Brussels Anima Festival
Manodrome by John Trengove
21/02/2023
BERLINALE 2023: John Trengove’s sophomore feature is a rather confused but entertaining tale revolving around a sect of incels for whom things go badly awry
The Manslayer / The Virgin / The Shadow by Sulev Keedus
25/11/2017
Sulev Keedus returns with another exploration of the human condition, premiering in the Competition of the Tallinn Black Nights Film Festival
Manta Ray by Phuttiphong Aroonpheng
07/09/2018
VENICE 2018: Phuttiphong Aroonpheng puts his name to an atmospheric and cryptic first film which shows great promise in terms of form, but which verges on the abstract
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