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7849 film reviews available in total starting from 04/09/2002. Last updated on 14/06/2025. 783 film reviews inserted in the last 12 months.
LATEST
Bullhead by Michaël R. Roskam
15/04/2011
Belgian director Michael R. Roskam looks at the mafia behind hormone trafficking and animal doping in his highly acclaimed debut feature, unveiled in the Berlinale Panorama 2011.
Bunker Paradise by Stéphane Liberski
28/09/2005
The directorial debut of Stefan Liberski is a pessimistic yet entrancing film about perversions created by our modern society and its ideology. When money digs into hollowness...
Buñuel in the Labyrinth of the Turtles by Salvador Simó
25/04/2019
Salvador Simó adapts Fermín Solís’ comic book of the same name into a film, adding colour as well as images from Land Without Bread, the documentary directed by Luis Buñuel in 1933
Buoni a nulla by Gianni Di Gregorio
18/10/2014
Gianni Di Gregorio presents his new film, a hilarious and well-constructed comedy on the need to be respected, at the Rome Film Festival
Burden by Miguel Eek
20/12/2023
Miguel Eek leads us to a woodland refuge where a group of adult males delve into the events that have left a mark on their lives, as they seek to construct a new form of masculinity
The Burden
16/11/2023
Elvis Ngaibino Sabin’s sophomore feature is an intimate portrait of a couple who share a disease, fearing society’s judgement and stigmatisation
The Burglar by Hagar Ben Asher
01/02/2017
Hagar Ben-Asher’s unapologetic second feature stars newcomer Lihi Kornowski as a teenage tigress-cum-thief
Burial by Emilija Skarnulyte
03/05/2022
Lithuanian director Emilija Škarnulytė's immersive, highly technological documentary deals with nuclear waste in juxtaposition with what humanity has already buried throughout the millennia
Buried by Rodrigo Cortés
22/09/2010
This nail-biting Spanish thriller, which has swept up prizes at festivals, including Sundance, puts viewers in the coffin with its protagonist
The Buriti Flower by João Salaviza, Renée Nader Messora
23/05/2023
CANNES 2023: João Salaviza and Renee Nader Messora craft a film both direct in its portrait of an indigenous community in Brazil, and evocative about the role of memory in its endurance
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