Film Reviews

7852 film reviews available in total starting from 04/09/2002. Last updated on 18/06/2025. 776 film reviews inserted in the last 12 months.

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Sandra Gets a Job by Kaupo Kruusiauk

29/11/2021

Part workplace satire, part stiff oddity, Kaupo Kruusiauk’s film won’t be getting a promotion any time soon  

Sandra saab tööd

Sandra saab tööd

Sangue by Pippo Delbono

16/08/2013

The only Italian film in competition at the 66th Locarno Film Festival is a personal search for truth: a confrontation between two men who apparently have nothing in common  

Sangue

Sangue

Il sangue dei vinti by Michele Soavi

26/10/2008

Sanremo by Miroslav Mandić

24/11/2020

Miroslav Mandić examines the possibility of romance blossoming in a nursing home, flying in the face of dementia  

Sanremo

Sanremo

Sans soleil by Banu Akseki

16/03/2022

Banu Akseki offers up an atmospheric portrayal of an adolescent looking for lived meaning in a pre-apocalyptic world, where the threat of a rebellious sun looms large  

Sans soleil

Sans soleil

Santiago, Italia by Nanni Moretti

06/12/2018

After closing the 36th Torino Film Festival, Nanni Moretti’s documentary about Chile arrives in Italian cinemas, using a sober evocation of the 1973 coup to talk about modern Italy  

Santiago, Italia

Santiago, Italia

Santosh by Sandhya Suri

21/05/2024

CANNES 2024: A new police recruit assumes the post of her deceased husband in Indian filmmaker Sandhya Suri’s impressive crime-drama  

Santosh

Santosh

Sapelo by Nick Brandestini

26/01/2021

Nick Brandestini’s third film is an ode to life and nature which uncovers dark and disturbing feelings, a delicate portrait of two boys combining magic and harsh reality  

Sapelo

Sapelo

La Sapienza by Eugène Green

11/08/2014

With his latest film La Sapienza, in competition in Locarno, Eugène Green once again focuses on light, as the sole antidote to the crisis that plagues us  

La Sapienza

La Sapienza

Sarah Plays a Werewolf by Katharina Wyss

03/09/2017

VENICE 2017: In her first feature, shown in the International Critics’ Week, Katharina Wyss proves that all these pop songs were right after all: there is nothing quite as hard as being a teenage girl  

Sarah joue un loup garou

Sarah joue un loup garou

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