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7850 film reviews available in total starting from 04/09/2002. Last updated on 17/06/2025. 778 film reviews inserted in the last 12 months.
LATEST
Sirley by Elisa Amoruso
23/10/2020
Elisa Amoruso makes her fiction debut with a highly personal story, based upon her adolescence which was marked by a special friendship and a pair of maladjusted parents
Sirocco and the Kingdom of the Winds by Benoît Chieux
25/10/2023
Benoît Chieux’s picture is heavily indebted to the cinema of Hayao Miyazaki but is nonetheless an engaging tale of sisterhood
Sisi & I by Frauke Finsterwalder
20/02/2023
BERLINALE 2023: Tackling the Sisi story from an entirely new perspective, Frauke Finsterwalder offers a thought-provoking and entertaining glance at the famous empress
Sister by Svetla Tsotsorkova
26/09/2019
The second film by Bulgaria’s Svetla Tsotsorkova marks her out as a filmmaker gifted with a special ability to portray characters totally conditioned by their environment
Sister by Ursula Meier
12/04/2012
After her debut in Cannes, Ursula Meier confirms her talent with a masterful social film starring young actors Kacey Mottet Klein and Léa Seydoux. Special Jury Award in Berlin.
Sister Midnight by Karan Kandhari
24/05/2024
CANNES 2024: The feature debut by London-based writer-director Karan Kandhari presents marital roles through slapstick and horror-comedy tropes
Sister Of Mine by Pedro Aguilera
27/01/2017
The third feature by Spaniard Pedro Aguilera rails against harmful visions and the glut of indiscriminate and unfiltered images that invade our everyday lives
Sister, What Grows Where Land Is Sick? by Franciska Eliassen
10/08/2022
Young Norwegian director Franciska Eliassen makes her debut with a very personal film encompassing ecofeminism and ancestral legends
Sisterhood by Nora el Hourch
12/09/2023
Nora El Hourch’s film is a direct yet subtle and effective film about a wonderful friendship undermined by the paradoxes of the fight against sexual violence and by social differences
Sisterhood by Dina Duma
24/08/2021
Macedonian helmer Dina Duma's debut film is a contemporary tale of slut-shaming in the social-media age
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