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7850 film reviews available in total starting from 04/09/2002. Last updated on 17/06/2025. 778 film reviews inserted in the last 12 months.
LATEST
The Fishbowl by Glorimar Marrero Sánchez
23/01/2023
Glorimar Marrero Sánchez crafts a raw and painful debut feature about a woman dealing with her cancer diagnosis
Fisherman's Friends by Chris Foggin
19/03/2019
An amateur folk-singing group consisting of ten Cornish fishermen gains unlikely UK chart success in this feel-good British comedy by Chris Foggin
Fishing Bodies by Michele Pennetta
08/08/2016
LOCARNO 2016: For his debut film, Michele Pennetta has chosen to tackle a demanding subject - illegal immigration. It’s an issue we hear much about; including, often, much that is false
Fishlove by Olivier Babinet
08/07/2020
In his third feature film, Olivier Babinet shows us a world teetering dangerously close to the edge, which only love can pull us back from
Il fiume ha sempre ragione by Silvio Soldini
21/06/2016
The director’s new documentary takes us into the workshops of two typographers that produce one-of-a-kind editorial gems. Winner of the Audience Award at Biografilm in Bologna
Fiume o morte! by Igor Bezinović
03/02/2025
With his sophomore feature, Igor Bezinović reconstructs a piece of his hometown's history and reminds us that the past is always lurking just around the corner
Five and a Half Love Stories in an Apartment in Vilnius, Lithuania by Tomas Vengris
16/11/2023
US-born Lithuanian director Tomas Vengris dissects multiple romantic micro-dramas transpiring in a Vilnius Airbnb rental
The Five Devils by Léa Mysius
23/05/2022
CANNES 2022: Witchcraft plays a bad trick on Léa Mysius with her overly ambitious film, which puzzles audiences despite its good qualities
The Fixer by Adrian Sitaru
12/09/2016
Romanian filmmaker Adrian Sitaru follows a sex scandal involving two underage prostitutes that gives a trainee journalist his big chance to make a name for himself at a French news network
FLA by Djinn Carrenard
16/05/2014
CANNES 2014: Haitian/Parisian director Djinn Carrénard opened the Critics’ Week with an intimate and realistic film about two characters fiercely silenced
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