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7852 film reviews available in total starting from 04/09/2002. Last updated on 18/06/2025. 776 film reviews inserted in the last 12 months.
LATEST
The Little Gang by Pierre Salvadori
19/07/2022
An expert in intelligent comedies, Pierre Salvadori delivers a refreshing, poignant and inventive film about a group of preteens transformed into ecological guerrillas
The Lonely Battle of Thomas Reid by Feargal Ward
24/11/2017
Irish filmmaker Feargal Ward's documentary, screening at the IDFA, is a mix of a poetic approach and dramatisation in a story of a David vs the Goliath
The Maias - Story of a Portuguese Family by João Botelho
11/09/2014
The adaptation of the sarcastic novel published in 1888 is hitting 22 screens today
The Man in the Wall by Evgeny Ruman
22/07/2015
Israeli director Evgeny Ruman releases his second feature film, the leading lady of which has just won an award at Odessa
The Man with the Magic Box by Bodo Kox
18/10/2017
Bodo Kox’s second film is a twisted love story in which he pays homage to a whole host of science-fiction classics
The Marriage by Blerta Zeqiri
30/11/2017
Kosovar filmmaker Blerta Zeqiri's highly anticipated feature debut is an excellently crafted love story with a strong LGBT angle
The Misplaced World by Margarethe von Trotta
03/03/2015
BERLIN 2015: The hardened German actress and director Margarethe von Trotta continues, with ambiguous humour, the theme of the dual woman. Release in Germany: 7 May
The Most Beautiful Country in the World by Želimir Žilnik
21/01/2019
Serbian director Želimir Žilnik – a founding contributor to the docudrama format – tackles the issue of integration by following the lives of a few young immigrants in Vienna
The Naked King – 18 Fragments on Revolution by Andreas Hoessli
05/06/2019
Swiss director and journalist Andreas Hoessli talks to us about revolution through the eyes of those who lived through it in all its glories and defeats
The Notes of Anna Azzori / A Mirror that Travels through Time by Constanze Ruhm
25/02/2020
BERLINALE 2020: Virtually made to measure for Berlin’s highly political Forum, Constanze Ruhm’s feature intercuts between then and now on the subject of womankind and her actions for change
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