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7850 film reviews available in total starting from 04/09/2002. Last updated on 16/06/2025. 784 film reviews inserted in the last 12 months.
LATEST
The Tree of Authenticity by Sammy Baloji
07/02/2025
Photographer and visual artist Sammy Baloji crafts a film essay that delves into the Democratic Republic of Congo’s colonial past and its ecological significance
The Tree by André Gil Mata
28/02/2018
BERLIN 2018: Portuguese filmmaker André Gil Mata's film is pure cinema, inviting comparisons to his mentor Béla Tarr and some of the greatest directors ever
The Tree by Sonja Prosenc
09/07/2014
Sonja Prosenc’s brave debut film will reward attentive audiences
The Tree by Julie Bertuccelli
05/07/2010
An enchanting, subtle and sensitive film shot in Australia by French director Julie Bertuccelli and starring Charlotte Gainsbourg. It won acclaim as the closing film at Cannes 2010
Tregua(s) by Mario Hernández
16/03/2023
Mario Hernández's lightly romantic comedy features two characters who meet up in secret at the Malaga Film Festival itself... but not to watch any film
Tremors by Jayro Bustamante
09/02/2019
BERLIN 2019: Jayro Bustamante returns to the Berlinale with this convincing depiction of what it means to be a gay man in the highly religious Guatemalan society
Trenches by Loup Bureau
03/09/2021
VENICE 2021: Loup Bureau immerses himself in an outpost of the Ukrainian army in the Donbass and takes the pulse of a war in a state of suspension, a strange mix of waiting and violence
Il treno va a Mosca by Federico Ferrone, Michele Manzolini
27/11/2013
The documentary by Ferrone and Manzolini tells the story of a barber who in 1957, together with two friends, took part in the festival for socialist youth in the Soviet capital
Trenque Lauquen by Laura Citarella
15/09/2022
VENICE 2022: Argentinian director Laura Citarella steps up to the festival big leagues with this four-hour tale, following an academic researcher who decides to become a Sherlock Holmes-like gumshoe
Trespass Against Us by Adam Smith
14/10/2016
An outlaw struggles to leave his criminal life and domineering father behind in Adam Smith’s feature debut
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