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7852 film reviews available in total starting from 04/09/2002. Last updated on 18/06/2025. 776 film reviews inserted in the last 12 months.
LATEST
Home Sweet Home by Annika Mayer
20/10/2023
Annika Mayer contrasts seemingly idyllic home Super 8 films with a horrific story of domestic abuse in her directorial debut
The Home by Mattias Johansson Skoglund
14/03/2025
Mattias J Skoglund's effective, modest horror takes full advantage of one of the biggest modern fears: moving into an assisted living facility
Home – The Country of Illusion by Josephine Landertinger Forero
29/02/2016
Josephine Landertinger Forero reveals almost everything about her mother in a film that reflects on loneliness and the sense of belonging
Homecoming by Catherine Corsini
18/05/2023
CANNES 2023: In a film that is alive, subtle and endearing, secrets are revealed under the summer sun of Corsica, where Catherine Corsini explores the question of finding one’s place in the world
Homecoming - Marina Abramović and her Children by Boris Miljković
18/08/2020
Ostensibly a documentary about the famous artist's life, career and her 2019 retrospective exhibition in Belgrade, this film from Serbian director Branko Miljković is a quasi-arty TV biopic
Homeland by Oleg Novkovic
01/02/2016
Belgradian director Oleg Novković’s film, which was shown in competition at the Trieste Film Festival, is the second in a trilogy on the “lost generation” of the countries of former Yugoslavia
Homelands by Jelena Maksimović
24/07/2020
Serbian director Jelena Maksimović turns her attention to the past, tiring her viewers along the way
Homes by Laila Pakalnina
25/11/2021
The newest film from Laila Pakalniņa is an experimental documentary hybrid that celebrates the home environment in poetic fashion
The Homes We Carry by Brenda Akele Jorde
02/05/2023
Brenda Akele Jorde's first feature-length documentary is an impressive account of a little-known story that nevertheless addresses the issue of identity in a relatable manner
Homeward by Nariman Aliev
24/05/2019
CANNES 2019: The feature debut from Ukrainian filmmaker Nariman Aliev, shaped like a funeral procession, is an allegory of the fate of the Tatar people, reduced to a state of vagrancy
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