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7852 film reviews available in total starting from 04/09/2002. Last updated on 18/06/2025. 776 film reviews inserted in the last 12 months.
LATEST
No Hard Feelings by Faraz Shariat
03/03/2020
BERLINALE 2020: This year's Teddy Award winner, lathered with storylines of homosexuality, migration and assimilation, heralds German helmer Faraz Shariat as a new director to watch out for
No Home Movie by Chantal Akerman
11/08/2015
LOCARNO 2015: Chantal Akerman’s film, which was screened in competition at the Locarno Film Festival (in its world premiere), dares to slow down the time of memory
No Love Lost by Erwan Le Duc
24/05/2023
CANNES 2023: Erwan Le Duc delivers an inventive and highly rhythmic film, verging on slapstick, depicting a social and sentimental drama with poetic levity
No Man Is an Island by Igor Sterk
20/10/2021
Igor Šterk goes down memory lane and remembers his and his buddies’ days in the Yugoslav People’s Army in the late 80s in his documentary
No Man's Land by Salomé Lamas
10/02/2013
Salomé Lamas’ documentary focuses on a Portuguese mercenary who speaks about his past and provides a personal, unofficial history of conflicts in various countries and continents
No Matter How Hard We Tried by Grzegorz Jarzyna
08/07/2015
KARLOVY VARY 2015: Grzegorz Jarzyna adapts the popular theatre play No Matter How Hard We Tried into his new feature
No Obvious Signs by Alina Gorlova
07/11/2018
Ukrainian filmmaker Alina Gorlova's second feature-length documentary is a harrowing account of one woman's PTSD rehabilitation
No One's Child by Vuk Ršumović
05/09/2014
VENICE 2014: The debut film by Vuk Rsumovic tackles a universal topic, offering moments of rare beauty to which the diminutive main character contributes a great deal
No One's with the Calves by Sabrina Sarabi
09/08/2021
This second feature film by German-Iranian director Sabrina Sarabi explodes the romantic (and decidedly urban) myth of life in the countryside
No One Will Know by Vincent Maël Cardona
19/05/2025
CANNES 2025: A gun and a winning ticket are the dramaturgical drivers of Vincent Maël Cardona’s second feature, a genre film borrowing from the slasher and heist movies
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