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8703 film reviews available in total starting from 04/09/2002. Last updated on 17/09/2026. 650 film reviews inserted in the last 12 months.
LATEST
Lover for a Day by Philippe Garrel
19/05/2017
CANNES 2017: Philippe Garrel delivers a marvellously stripped-back film about the eternally fluctuating territories and underground manoeuvres of love
Lover, Not a Fighter by Martina Buchelová
07/07/2026
Martina Buchelová’s feature film debut turns a turbulent romance into a loose, semi-documentary-style, Gen Z mosaic of intimacy, anxiety and comic disarray
Lovers by Nicole Garcia
03/09/2020
VENICE 2020: Nicole Garcia signs an excellent film noir centred on a fatal love triangle and set against the backdrop of the attractive power of money in the modern world
Loving by Jeff Nichols
16/05/2016
CANNES 2016: Co-produced by the United Kingdom, with its classic genre Jeff Nichols’ film is a perfect copy of American films about the fight against segregation
Loving Highsmith by Eva Vitija
21/01/2022
Based on Patricia Highsmith’s diaries and notes, as well as touching testimonials from friends, lovers and relatives, Eva Vitija’s documentary is a deeply moving work
Loving Pablo by Fernando León de Aranoa
07/09/2017
VENICE 2017: Fernando León de Aranoa gives us a questionable cinematic take on the life of Pablo Escobar, screening out of competition on the Lido, and starring Penélope Cruz and Javier Bardem
Loving Pia by Daniel Joseph Borgman
28/02/2017
BERLIN 2017: Daniel Joseph Borgman's second feature film is a docu-fiction hybrid starring a real woman and inventing a love story for her
Loving Vincent by DK Welchman, Hugh Welchman
05/10/2017
Dorota Kobiela and Hugh Welchman explore the life and death of the famous post-impressionist through hand-painted animation
Loving Without Reason by Joachim Lafosse
06/07/2012
The fifth feature-length film of Belgian director Joachim Lafosse continues the director’s exploration of limits and fractured families.
Low Expectations by Eivind Landsvik
22/05/2026
CANNES 2026: The darker and lighter sides of depression are depicted in the feature debut by Norway’s Eivind Landsvik, which should generate some enthusiastic buzz
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