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7850 film reviews available in total starting from 04/09/2002. Last updated on 16/06/2025. 781 film reviews inserted in the last 12 months.
LATEST
Dissident by Andriy Alferov, Stanislaw Gurenko
29/11/2024
Stanislav Gurenko and Andrii Alferov’s movie is a stylishly captivating memoir about activists in Soviet Ukraine, which is unfortunately hard to understand for those not familiar with that period
Dissonance by Bernard Declercq
28/11/2018
Bernard Declercq’s second feature-length fiction film is a dark and disconcerting tale about a woman in a fragile state of mind and her domineering husband
The Distance by Sergio Caballero
10/10/2014
The second film by Sergio Caballero, screened in Sitges, puts the viewer on the edge of indignation or praise
Distances by Matej Bobrik
31/10/2023
Prague-born Slovak director Matej Bobrik returns with an observational documentary about a Nepalese family in Warsaw
Distances by Elena Trapé
19/04/2018
Elena Trapé demonstrates audacity and talent in her new film where a reunion between long-time friends in Berlin very quickly turns sour as a result of lies and disillusion
The Distinguished Citizen by Gastón Duprat, Mariano Cohn
06/09/2016
VENICE 2016: An Argentinian author based in Spain returns to his home country after winning the Nobel Prize in the new film by Mariano Cohn and Gastón Duprat
District Terminal by Bardia Yadegari, Ehsan Mirhosseini
04/03/2021
BERLINALE 2021: Set in a war zone, this Iranian-German film by Bardia Yadegari and Ehsan Mirhosseini is draining to watch, but offers some unexpected dark poetry and sunshine
Diva Futura by Giulia Louise Steigerwalt
05/09/2024
VENICE 2024: Giulia Louise Steigerwalt’s second film, dedicated to Riccardo Schicchi, who in the 1980s and 1990s launched several pornstars, features too many details and flashbacks
Divas by Máté Kőrösi
18/08/2021
Hungarian filmmaker Máté Kőrösi explores the lives of three 20-year-old girls, establishing a dialogue that inserts himself as one of the protagonists
The Diver Inside by Günter Schwaiger
26/02/2021
With his first fiction film, Austria’s Günter Schwaiger sounds the alarm on how abuse also causes profound collateral damage in children
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