Film Reviews

7850 film reviews available in total starting from 04/09/2002. Last updated on 17/06/2025. 778 film reviews inserted in the last 12 months.

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Amo la tempesta by Maurizio Losi
11/04/2016
A group of parents decides to kidnap and bring their children, who have emigrated abroad, back to Italy in this surreal comedy directed by Maurizio Losi, screened in the Nuove proposte section at Bari  
Amo la tempesta
Amok by Kasia Adamik
24/03/2017
Kasia Adamik’s latest film gives us a diagnosis of civilisation, of the contemporary affliction that is our obsession with being noticed  
Amok
Among Us by Marco van Geffen
19/06/2012
In Among Us, a film unveiled last year in Locarno, Marco Van Geffen draws the detached, clinical portrait of a young au pair walled up in her own silence  
among us women by Sarah Noa Bozenhardt, Daniel Abate Tilahun
29/10/2021
German director Sarah Noa Bozenhardt and Ethiopian filmmaker Daniel Abate Tilahun explore the dangers faced by pregnant women in rural Ethiopia  
Unter uns Frauen
Amor Amor by Jorge Cramez
14/02/2018
Portuguese director Jorge Cramez returns with a loose adaptation of a Corneille play set in modern-day Lisbon  
Amor Amor
Amor Fati by Cláudia Varejão
27/04/2020
The third feature film by Portuguese director Cláudia Varejão transports us to a parallel universe where reality becomes dream  
Amor Fati
Amore mio by Guillaume Gouix
10/11/2022
Guillaume Gouix’s first feature film is a family-focused road movie exploring grief and sorority during a sun-drenched breakaway  
Amore mio
Amour by Michael Haneke
11/05/2012
Michael Haneke has made a refined, deep, and modest masterly work about old age, feelings, and the end of life.  
Amour
Amour Fou by Jessica Hausner
16/05/2014
CANNES 2014: Jessica Hausner creates a magnificent film at the heart of the paradoxes of bourgeois romanticism and conformism at the beginning of the 19th century  
Amour Fou
Amparo by Simón Mesa Soto
13/07/2021
CANNES 2021: A working-class family deals with the brunt of military conscription in Colombia, in this nervy debut from Simón Mesa Soto  
Amparo

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