Film Reviews

8342 film reviews available in total starting from 04/09/2002. Last updated on 04/03/2026. 676 film reviews inserted in the last 12 months.

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Everybody Digs Bill Evans by Grant Gee
14/02/2026
BERLINALE 2026: Anders Danielsen Lie gives a well-tuned performance as the titular jazz piano maestro in Grant Gee’s moody and cerebral biopic  
Everybody Digs Bill Evans
Everybody in our Family by Radu Jude
30/03/2012
A black, sarcastic comedy about a family. A Berlinale 2012 discovery and new proof of the Roumanian new wave's vitality.  
Toată lumea din familia noastră
Everybody Knows by Asghar Farhadi
08/05/2018
CANNES 2018: Iranian director Asghar Farhadi’s new film is a highly-skilled Spanish thriller and a disturbingly precise exercise in dredging up past secrets  
Todos lo saben
Everybody Loves Jeanne by Céline Devaux
22/05/2022
CANNES 2022: Blanche Gardin is a force to be reckoned with in Céline Devaux's tale about a woman who didn’t want much in life – she just wanted to save the world  
Tout le monde aime Jeanne
Everybody Loves Touda by Nabil Ayouch
17/05/2024
CANNES 2024: As a singer and a woman in search of freedom, Nisrin Erradi magnetises a poignant, classic yet imperfect melodrama by Nabil Ayouch  
Everybody Loves Touda
Everybody to Kenmure Street by Felipe Bustos Sierra
26/01/2026
Felipe Bustos Sierra's rousing second feature-length documentary exemplifies the power of community against racist government actions, depicting a singular 2021 event in Glasgow  
Everybody to Kenmure Street
Everyday Objects by Nicolas Wackerbarth
11/02/2013
The first film by Nicolas Wackerbarth of Germany presented in the Forum section at the 63rd Berlinale  
Everyone Else by Maren Ade
16/12/2008
Alle Anderen
Everyone's Sorry Nowadays by Frederike Migom
14/02/2026
BERLINALE 2026: Frederike Migom’s second feature sees a neglected teen confront family tensions and find solace in a famous visitor during an emotional summer's day  
Tegenwoordig heet iedereen Sorry
Everything Always All the Time by Philipp Eichholtz
10/07/2018
Philipp Eichholtz’s light-hearted comic fantasy, world-premiered at Munich, is an entertaining watch, despite some clumsy attempts at psychological depth  
Kim hat einen Penis

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