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7064 film reviews available in total starting from 04/09/2002. Last updated on 17/06/2024. 760 film reviews inserted in the last 12 months.
LATEST
Rock Bottom by María Trénor
17/06/2024
Spanish director María Trénor immerses herself in the music scene of the Seventies, with its psychedelics, hallucinatory love, and boundless creativity
Our Land, Our Freedom by Meena Nanji, Zippy Kimundu
Meena Nanji and Zippy Kimundu’s documentary finds Kenya’s history, and perspectives on the 1950s Mau Mau uprising, being rewritten in the present day
The Boy and the Suit of Lights by Inma de Reyes
Inma de Reyes offers up a quietly compelling documentary of a young bullfighter-in-training over the course of five years
My Sweet Land by Sareen Hairabedian
14/06/2024
Sareen Hairabedian’s documentary embraces the hopes, fears, dreams and everyday struggles of an Artsakh boy, one of thousands whose childhood is tied to the local military context
The Lost Notebook by Ida Marie Gedbjerg Sørensen
Following in the footsteps of a Soviet-era Hungarian worker passionate about cinema, Danish director Ida Sørensen reflects on the role of fiction in people’s lives
At the Door of the House, Who Will Come Knocking by Maja Novakovic
Bosnian filmmaker Maja Novaković's first feature-length documentary tells a cryptic story of loss, grief and loneliness through gorgeously depicted natural elements
Jago: Into the White by Luigi Pingitore
Luigi Pingitore’s documentary dedicated to Jago, the young Italian sculptor with a million followers on social media, sidesteps the cliché of the artist locked away in his own little world
Hidden Era by Carlos Vargas
Berlin-based Colombian filmmaker Carlos Vargas’s portrait of a Rastafarian Mozambican artist shows promise in subject but ultimately feels incomplete
Into the Wonderwoods by Vincent Paronnaud, Alexis Ducord
13/06/2024
Vincent Paronnaud and Alexis Ducord deliver a mega-dynamic and incredibly funny film for all audiences about a very young adventurer who never gives up
Hunters on a White Field by Sarah Gyllenstierna
Swedish writer-director Sarah Gyllenstierna’s feature debut boasts a standout lead performance by Ardalan Esmaili but wobbles in its crucifixion of masculinity
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