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7319 film reviews available in total starting from 04/09/2002. Last updated on 25/09/2024. 785 film reviews inserted in the last 12 months.
LATEST
My Everything by Anne-Sophie Bailly
31/08/2024
Anne-Sophie Bailly delivers a moving and cleverly controlled melodrama about the bond between a unique son and a mother who is also very much a woman
And Their Children After Them by Zoran Boukherma, Ludovic Boukherma
VENICE 2024: Blending social realism and adolescent mythology, romanticism and tragedy, Ludovic and Zoran Boukherma deliver an exciting and spirited adaptation of Nicolas Mathieu’s novel
The Antique by Rusudan Glurjidze
VENICE 2024: The second feature by Rusudan Glurijdze portrays the encounter between two generations and two people, against the backdrop of the mass deportations of Georgians from Russia in 2006
Nineteen by Giovanni Tortorici
VENICE 2024: Carefree, provocative, asyntactic, Giovanni Tortorici’s debut, produced by Luca Guadagnino, speaks the Gen Z language
Marco by Aitor Arregi, Jon Garaño
VENICE 2024: He did what?! Aitor Arregi and Jon Garaño deliver a surprisingly entertaining take on a wild true story, starring a fantastic Eduard Fernández
Why War by Amos Gitai
VENICE 2024: In his philosophical film essay, Israeli director Amos Gitai tries to explore the root of mankind’s lust for war and destruction
Peacock by Bernhard Wenger
VENICE 2024: In his feature debut, Austrian director Bernhard Wenger satirises the societal construct of a personality, making full use of the understated acting by Albrecht Schuch
Riefenstahl by Andres Veiel
VENICE 2024: Andres Veiel creates a complex breakdown of German director Leni Riefenstahl’s life and examines how effective people are at trying to rewrite history
One to One: John & Yoko by Kevin Macdonald, Sam Rice-Edwards
VENICE 2024: Kevin Macdonald and Sam Rice-Edwards’ frantic, fun doc is so good that it makes you forget all about Gal Gadot’s take on “Imagine”
Three Friends by Emmanuel Mouret
30/08/2024
VENICE 2024: Emmanuel Mouret spins a sophisticated and brilliantly directed web of feelings and flirtations in pure paradoxical Rohmer-esque style
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