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7956 film reviews available in total starting from 04/09/2002. Last updated on 19/08/2025. 757 film reviews inserted in the last 12 months.
LATEST
The Outrun by Nora Fingscheidt
18/02/2024
BERLINALE 2024: In her adaptation of Amy Liptrot’s autobiography, Nora Fingscheidt sends Saoirse Ronan on a journey of abstinence, which is devoid not only of alcohol, but also direction
A Family by Christine Angot
BERLINALE 2024: Christine Angot lifts the veil on the unthinkable in a radical, highly personal and incredibly powerful documentary about the incest she was subjected to in her youth
The Wrong Movie by Keren Cytter
BERLINALE 2024: Keren Cytter's formally experimental and oddly engaging film could be described as a piece of kitchen-sink surrealism or a Beckett drama for the digital age
From Hilde, with Love by Andreas Dresen
BERLINALE 2024: Wars can be fought with acts of love and kindness, and silence screams louder than bombs in Andreas Dresen’s deeply humanistic film
Faruk by Asli Özge
BERLINALE 2024: Aslı Özge returns to docu-fiction and her native city of Istanbul, creating an engaging, personal story with a strong political and social aspect
Suspended Time by Olivier Assayas
BERLINALE 2024: A minor entry in Olivier Assayas' filmography is definitely his most autobiographical outing, but is probably among the least engaging
Young Hearts by Anthony Schatteman
17/02/2024
BERLINALE 2024: Anthony Schatteman’s first film is a luminous coming-of-age tale in an autobiographical vein about a young boy discovering love
Another End by Piero Messina
BERLINALE 2024: In his sophomore feature, Piero Messina explores a wide array of old and new sci-fi tropes, crafting a touching yet imperfect tale about loss
Intercepted by Oksana Karpovych
BERLINALE 2024: Phone calls of Russian soldiers on the Ukrainian frontlines to their loved ones back home unveil shocking depravity, and much more, in Oksana Karpovych’s documentary
Demba by Mamadou Dia
BERLINALE 2024: Senegalese director Mamadou Dia deals with mental health and the perception of it, with a distinct stylistic approach that works both in the film’s favour and to its detriment
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